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A white wall of water. The next one is already forming.","series":"beach","tone":"Landscape","medium":"Oil on canvas","creditLine":"Indianapolis Museum of Art at Newfields, Bequest","recordUrl":"http://collection.imamuseum.org/artwork/55923/","repositoryName":"Indianapolis Museum of Art at Newfields","dimensions":"38.13 × 36.25 in.","image":"https://media.morgangoins.org/art/fjw-next-wave.jpg","printMaster":"https://media.morgangoins.org/art/fjw-next-wave.jpg","pixels":"5113 × 4844 px","ppi":134,"dominantColor":"#6f7d7d","sourceImage":"https://upload.wikimedia.org/wikipedia/commons/b/ba/Frederick_Judd_Waugh_-_The_Next_Wave_-_25.283_-_Indianapolis_Museum_of_Art.jpg","overflow":"r2","view":"https://media.morgangoins.org/art/fjw-next-wave.jpg","preview":"https://media.morgangoins.org/art/preview/fjw-next-wave.jpg","scanType":"JPEG","thumb":"https://media.morgangoins.org/art/thumbs/fjw-next-wave.jpg","tiles":null,"scanMethod":"Museum photograph","tags":["Landscape","Painting","Canvas","20th century"]},{"id":"ATB–castle-rock-nahant","title":"Castle Rock, Nahant, Massachusetts","artist":"Alfred Thompson Bricher","year":"1877","story":"Castle Rock, Nahant. Bricher daylight on granite and Atlantic swell.","series":"beach","tone":"Seascape","medium":"Oil on canvas","creditLine":"Wikimedia Commons","repositoryName":"Wikimedia Commons","dimensions":"48.00 × 30.00 in.","image":"https://media.morgangoins.org/art/atb-castle-rock-nahant.jpg","printMaster":"https://media.morgangoins.org/art/atb-castle-rock-nahant.jpg","pixels":"7717 × 3993 px","ppi":133,"dominantColor":"#a08169","sourceImage":"https://upload.wikimedia.org/wikipedia/commons/2/29/Alfred_T._Bricher_-_Castle_Rock%2C_Nahant%2C_Massachusetts_-_Google_Art_Project.jpg?utm_source=commons.wikimedia.org&utm_campaign=imageinfo&utm_content=original","overflow":"r2","recordUrl":"https://commons.wikimedia.org/wiki/File:Alfred_T._Bricher_-_Castle_Rock,_Nahant,_Massachusetts_-_Google_Art_Project.jpg","view":"https://media.morgangoins.org/art/atb-castle-rock-nahant.jpg","preview":"https://media.morgangoins.org/art/preview/atb-castle-rock-nahant.jpg","scanType":"JPEG","thumb":"https://media.morgangoins.org/art/thumbs/atb-castle-rock-nahant.jpg","tiles":{"src":"https://media.morgangoins.org/art/tiles/atb-castle-rock-nahant","width":7717,"height":3993,"tileSize":512,"maxLevel":4,"pack":"https://media.morgangoins.org/art/tiles/atb-castle-rock-nahant.zip"},"scanMethod":"Museum photograph","tags":["Seascape","Painting","Canvas","19th century","Deep zoom"],"dominantColors":[{"hex":"#ccae97","share":0.391},{"hex":"#140a08","share":0.027},{"hex":"#aca2b3","share":0.021}]},{"id":"WH–undertow","title":"Undertow","artist":"Winslow Homer","year":"1886","story":"Two women dragged from the surf. Rescuers lean against the pull. The sea is not a backdrop. It is the other wrestler.","series":"beach","tone":"Landscape","medium":"Oil on canvas","creditLine":"Sterling and Francine Clark Art Institute","recordUrl":"https://commons.wikimedia.org/wiki/File:Winslow_Homer_-_Undertow.jpg","repositoryName":"Sterling and Francine Clark Art Institute","dimensions":"29.76 × 47.64 in.","image":"https://media.morgangoins.org/art/wh-undertow.jpg","printMaster":"https://media.morgangoins.org/art/wh-undertow.jpg","pixels":"10186 × 6339 px","ppi":133,"dominantColor":"#74786c","sourceImage":"https://upload.wikimedia.org/wikipedia/commons/f/f7/Winslow_Homer_-_Undertow.jpg","overflow":"r2","view":"https://media.morgangoins.org/art/wh-undertow.jpg","preview":"https://media.morgangoins.org/art/preview/wh-undertow.jpg","scanType":"JPEG","thumb":"https://media.morgangoins.org/art/thumbs/wh-undertow.jpg","tiles":{"src":"https://media.morgangoins.org/art/tiles/wh-undertow","width":10186,"height":6339,"tileSize":512,"maxLevel":5,"pack":"https://media.morgangoins.org/art/tiles/wh-undertow.zip"},"scanMethod":"Museum photograph","tags":["Landscape","Painting","Canvas","19th century","Deep zoom"],"dominantColors":[{"hex":"#75776b","share":0.429},{"hex":"#343632","share":0.14},{"hex":"#c0c7aa","share":0.04}]},{"id":"ATB–quiet-day-manchester","title":"A Quiet Day near Manchester","artist":"Alfred Thompson Bricher","year":"1873","story":"Still water. Soft sky. Boats barely rocking. New England coast with nowhere to be and all day to get there.","series":"beach","tone":"Landscape","medium":"Oil on canvas","creditLine":"Museum of Fine Arts, Boston","recordUrl":"https://commons.wikimedia.org/wiki/File:A_Quiet_Day_near_Manchester_A12632.jpg","repositoryName":"Museum of Fine Arts, Boston","dimensions":"20.25 × 38.00 in.","image":"https://media.morgangoins.org/art/atb-quiet-day-manchester.jpg","printMaster":"https://media.morgangoins.org/art/atb-quiet-day-manchester.jpg","pixels":"5148 × 2676 px","ppi":132,"dominantColor":"#a89d85","sourceImage":"https://upload.wikimedia.org/wikipedia/commons/8/8b/A_Quiet_Day_near_Manchester_A12632.jpg","overflow":"r2","view":"https://media.morgangoins.org/art/atb-quiet-day-manchester.jpg","preview":"https://media.morgangoins.org/art/preview/atb-quiet-day-manchester.jpg","scanType":"JPEG","thumb":"https://media.morgangoins.org/art/thumbs/atb-quiet-day-manchester.jpg","tiles":{"src":"https://media.morgangoins.org/art/tiles/atb-quiet-day-manchester","width":5148,"height":2676,"tileSize":512,"maxLevel":4,"pack":"https://media.morgangoins.org/art/tiles/atb-quiet-day-manchester.zip"},"scanMethod":"Museum photograph","tags":["Landscape","Painting","Canvas","19th century","Deep zoom"],"dominantColors":[{"hex":"#dfdecb","share":0.413},{"hex":"#867b5f","share":0.249}]},{"id":"WH–shore-surf","title":"Shore and Surf, Nassau","artist":"Winslow Homer","year":"1899","story":"Bahamas blue meeting white sand. Surf like lace. He went south for the light and brought the ocean home in watercolor.","series":"beach","tone":"Landscape","medium":"Oil on canvas","creditLine":"Metropolitan Museum of Art / Wikimedia Commons","recordUrl":"https://commons.wikimedia.org/wiki/File:Winslow_Homer_-_Shore_and_Surf,_Nassau_(1899).jpg","repositoryName":"Metropolitan Museum of Art / Wikimedia Commons","dimensions":"15.00 × 21.25 in.","image":"https://media.morgangoins.org/art/wh-shore-surf.jpg","printMaster":"https://media.morgangoins.org/art/wh-shore-surf.jpg","pixels":"4000 × 2814 px","ppi":132,"dominantColor":"#717c78","sourceImage":"https://upload.wikimedia.org/wikipedia/commons/3/38/Winslow_Homer_-_Shore_and_Surf%2C_Nassau_%281899%29.jpg","overflow":"r2","view":"https://media.morgangoins.org/art/wh-shore-surf.jpg","preview":"https://media.morgangoins.org/art/preview/wh-shore-surf.jpg","scanType":"JPEG","thumb":"https://media.morgangoins.org/art/thumbs/wh-shore-surf.jpg","tiles":null,"scanMethod":"Museum photograph","tags":["Landscape","Painting","Canvas","19th century"],"dominantColors":[{"hex":"#8c8f86","share":0.285},{"hex":"#413f3d","share":0.157},{"hex":"#97b1ab","share":0.109},{"hex":"#245465","share":0.046},{"hex":"#8f7859","share":0.006}]},{"id":"CM–shadows-pourville","title":"Shadows on the Sea, The Cliffs at Pourville","artist":"Claude Monet","year":"1882","story":"Cloud shadows race the water. White cliffs cut the sky. The Channel is restless and he keeps painting until the weather changes again.","series":"beach","tone":"Landscape","medium":"Oil on canvas","creditLine":"Ny Carlsberg Glyptotek / Google Art Project","recordUrl":"https://commons.wikimedia.org/wiki/File:Claude_Monet_-_Shadows_on_the_Sea._The_Cliffs_at_Pourville_-_Google_Art_Project.jpg","repositoryName":"Ny Carlsberg Glyptotek / Google Art Project","dimensions":"22.44 × 28.74 in.","image":"https://media.morgangoins.org/art/cm-shadows-pourville.jpg","printMaster":"https://media.morgangoins.org/art/cm-shadows-pourville.jpg","pixels":"4907 × 3508 px","ppi":122,"dominantColor":"#8f8bac","sourceImage":"https://upload.wikimedia.org/wikipedia/commons/8/8e/Claude_Monet_-_Shadows_on_the_Sea._The_Cliffs_at_Pourville_-_Google_Art_Project.jpg","overflow":"r2","view":"https://media.morgangoins.org/art/cm-shadows-pourville.jpg","preview":"https://media.morgangoins.org/art/preview/cm-shadows-pourville.jpg","scanType":"JPEG","thumb":"https://media.morgangoins.org/art/thumbs/cm-shadows-pourville.jpg","tiles":{"src":"https://media.morgangoins.org/art/tiles/cm-shadows-pourville","width":4907,"height":3508,"tileSize":512,"maxLevel":4,"pack":"https://media.morgangoins.org/art/tiles/cm-shadows-pourville.zip"},"scanMethod":"Museum photograph","tags":["Landscape","Painting","Canvas","19th century","Deep zoom"],"dominantColors":[{"hex":"#a89dbf","share":0.497},{"hex":"#636b96","share":0.157},{"hex":"#a08a8e","share":0.051}]},{"id":"WH–after-storm-sea","title":"Early Morning After a Storm at Sea","artist":"Winslow Homer","year":"1900–1903","story":"Green water still angry after the night. Foam climbs the rocks. Morning opens over the break.","series":"beach","tone":"Landscape","medium":"Oil on canvas","creditLine":"The Cleveland Museum of Art, Gift of J. H. Wade, 1924.195","recordUrl":"https://www.clevelandart.org/art/1924.195","repositoryName":"The Cleveland Museum of Art","dimensions":"50.00 × 30.25 in.","image":"https://media.morgangoins.org/art/wh-after-storm-sea.jpg","printMaster":"https://media.morgangoins.org/art/masters/wh-after-storm-sea.tiff","pixels":"6000 × 3618 px","ppi":120,"dominantColor":"#71716f","sourceImage":"https://openaccess-cdn.clevelandart.org/1924.195/1924.195_full.tif","overflow":"r2","view":"https://media.morgangoins.org/art/wh-after-storm-sea.jpg","preview":"https://media.morgangoins.org/art/preview/wh-after-storm-sea.jpg","scanType":"TIFF","thumb":"https://media.morgangoins.org/art/thumbs/wh-after-storm-sea.jpg","tiles":null,"scanMethod":"Museum photograph","tags":["Landscape","Painting","Canvas","20th century"]},{"id":"MJH–point-judith","title":"Point Judith, Rhode Island","artist":"Martin Johnson Heade","year":"c. 1863","story":"Long shore under a working sky. Light rides the water. Rhode Island holds the edge.","series":"beach","tone":"Landscape","medium":"Oil on canvas","creditLine":"The Cleveland Museum of Art","recordUrl":"https://www.clevelandart.org/art/1970.161","repositoryName":"The Cleveland Museum of Art","dimensions":"50.38 × 28.44 in.","image":"https://media.morgangoins.org/art/mjh-point-judith.jpg","printMaster":"https://media.morgangoins.org/art/masters/mjh-point-judith.tif","pixels":"5721 × 3183 px","ppi":112,"dominantColor":"#43413b","sourceImage":"https://openaccess-cdn.clevelandart.org/1970.161/1970.161_full.tif","overflow":"r2","view":"https://media.morgangoins.org/art/mjh-point-judith.jpg","preview":"https://media.morgangoins.org/art/preview/mjh-point-judith.jpg","scanType":"TIFF","thumb":"https://media.morgangoins.org/art/thumbs/mjh-point-judith.jpg","tiles":null,"scanMethod":"Museum photograph","tags":["Landscape","Painting","Canvas","19th century"]},{"id":"AB–seal-rock","title":"Seal Rock, California","artist":"Albert Bierstadt","year":"c. 1872–1887","story":"Surf hits the rock. Spray climbs the air. The Pacific keeps coming.","series":"beach","tone":"Landscape","medium":"Oil on canvas","creditLine":"Wikimedia Commons","recordUrl":"https://commons.wikimedia.org/wiki/File:Albert_Bierstadt_-_Seal_Rock,_California.jpg","repositoryName":"Wikimedia Commons","dimensions":"30.00 × 21.50 in.","image":"https://media.morgangoins.org/art/ab-seal-rock.jpg","printMaster":"https://media.morgangoins.org/art/ab-seal-rock.jpg","pixels":"3200 × 2297 px","ppi":107,"dominantColor":"#676f65","sourceImage":"https://upload.wikimedia.org/wikipedia/commons/1/13/Albert_Bierstadt_-_Seal_Rock%2C_California.jpg","overflow":"r2","view":"https://media.morgangoins.org/art/ab-seal-rock.jpg","preview":"https://media.morgangoins.org/art/preview/ab-seal-rock.jpg","scanType":"JPEG","thumb":"https://media.morgangoins.org/art/thumbs/ab-seal-rock.jpg","tiles":null,"scanMethod":"Museum photograph","tags":["Landscape","Painting","Hudson River","Canvas","19th century"]},{"id":"MFH–sunset-over-waves","title":"Sunset over the Waves","artist":"Mauritz Frederik Hendrik de Haas","year":"1890","story":"A dark headland. Gold on the water. One sail on the horizon. The sun is already low enough to burn.","series":"beach","tone":"Landscape","medium":"Oil on canvas","creditLine":"Private collection","recordUrl":"https://commons.wikimedia.org/wiki/File:Mauritz_de_Haas_-_Sunset_over_the_waves.jpg","repositoryName":"Private collection","dimensions":"36.18 × 20.00 in.","image":"https://media.morgangoins.org/art/mfh-sunset-over-waves.jpg","printMaster":"https://media.morgangoins.org/art/mfh-sunset-over-waves.jpg","pixels":"4000 × 2139 px","ppi":107,"dominantColor":"#70572a","sourceImage":"https://upload.wikimedia.org/wikipedia/commons/2/28/Mauritz_de_Haas_-_Sunset_over_the_waves.jpg","overflow":"r2","view":"https://media.morgangoins.org/art/mfh-sunset-over-waves.jpg","preview":"https://media.morgangoins.org/art/preview/mfh-sunset-over-waves.jpg","scanType":"JPEG","thumb":"https://media.morgangoins.org/art/thumbs/mfh-sunset-over-waves.jpg","tiles":null,"scanMethod":"Museum photograph","tags":["Landscape","Painting","Canvas","19th century"],"dominantColors":[{"hex":"#9e7e32","share":0.366}]},{"id":"WTR–cornwall-coast","title":"Off the Coast of Cornwall","artist":"William Trost Richards","year":"c. 1902","story":"Green rollers. A low headland. Daylight on the open Atlantic.","series":"beach","tone":"Landscape","medium":"Oil on canvas","creditLine":"Private collection / Wikimedia Commons","recordUrl":"https://commons.wikimedia.org/wiki/File:William_Trost_Richards_-_Off_the_Coast_of_Cornwall.jpg","repositoryName":"Wikimedia Commons","dimensions":"32.00 × 19.50 in.","image":"https://media.morgangoins.org/art/wtr-cornwall-coast.jpg","printMaster":"https://media.morgangoins.org/art/wtr-cornwall-coast.jpg","pixels":"3200 × 1947 px","ppi":100,"dominantColor":"#808179","sourceImage":"https://upload.wikimedia.org/wikipedia/commons/1/1e/William_Trost_Richards_-_Off_the_Coast_of_Cornwall.jpg","overflow":"r2","view":"https://media.morgangoins.org/art/wtr-cornwall-coast.jpg","preview":"https://media.morgangoins.org/art/preview/wtr-cornwall-coast.jpg","scanType":"JPEG","thumb":"https://media.morgangoins.org/art/thumbs/wtr-cornwall-coast.jpg","tiles":null,"scanMethod":"Museum photograph","tags":["Landscape","Painting","Canvas","20th century"]},{"id":"WWG–second-beach","title":"Second Beach, Newport","artist":"Worthington Whittredge","year":"c. 1878–1880","story":"Newport beach under a clear sky. Rocks and surf without gloom.","series":"beach","tone":"Landscape","medium":"Oil on canvas","creditLine":"Wikimedia Commons","recordUrl":"https://commons.wikimedia.org/wiki/File:Worthington_Whittredge,_Second_Beach,_Newport,_c._1878-1880,_NGA_130198.jpg","repositoryName":"Wikimedia Commons","dimensions":"36.00 × 24.00 in.","image":"https://media.morgangoins.org/art/wwg-second-beach.jpg","printMaster":"https://media.morgangoins.org/art/wwg-second-beach.jpg","pixels":"4000 × 2381 px","ppi":99,"dominantColor":"#b0a082","sourceImage":"https://upload.wikimedia.org/wikipedia/commons/b/bb/Worthington_Whittredge%2C_Second_Beach%2C_Newport%2C_c._1878-1880%2C_NGA_130198.jpg?utm_source=commons.wikimedia.org&utm_campaign=imageinfo&utm_content=original","overflow":"r2","view":"https://media.morgangoins.org/art/wwg-second-beach.jpg","preview":"https://media.morgangoins.org/art/preview/wwg-second-beach.jpg","scanType":"JPEG","thumb":"https://media.morgangoins.org/art/thumbs/wwg-second-beach.jpg","tiles":null,"scanMethod":"Museum photograph","tags":["Landscape","Painting","Canvas","19th century"]},{"id":"EB–trouville-louis","title":"Beach at Trouville","artist":"Eugène Boudin","year":"1863","story":"A long pale beach under a working sky. People are small. The weather is the subject. Normandy never pretends.","series":"beach","tone":"Landscape","medium":"Oil on canvas","creditLine":"Google Art Project","recordUrl":"https://commons.wikimedia.org/wiki/File:Eug%C3%A8ne-Louis_Boudin_-_Beach_at_Trouville_-_Google_Art_Project.jpg","repositoryName":"Google Art Project","dimensions":"14.17 × 22.83 in.","image":"https://media.morgangoins.org/art/eb-trouville-louis.jpg","printMaster":"https://media.morgangoins.org/art/eb-trouville-louis.jpg","pixels":"4001 × 2157 px","ppi":94,"dominantColor":"#768682","sourceImage":"https://upload.wikimedia.org/wikipedia/commons/4/4a/Eug%C3%A8ne-Louis_Boudin_-_Beach_at_Trouville_-_Google_Art_Project.jpg","overflow":"r2","view":"https://media.morgangoins.org/art/eb-trouville-louis.jpg","preview":"https://media.morgangoins.org/art/preview/eb-trouville-louis.jpg","scanType":"JPEG","thumb":"https://media.morgangoins.org/art/thumbs/eb-trouville-louis.jpg","tiles":null,"scanMethod":"Museum photograph","tags":["Landscape","Painting","Canvas","19th century"],"dominantColors":[{"hex":"#859fa5","share":0.543},{"hex":"#797357","share":0.177},{"hex":"#202724","share":0.026}]},{"id":"CM–belle-ile-port-domois","title":"Rocks at Belle-Île, Port-Domois","artist":"Claude Monet","year":"1886","story":"Belle-Île cliffs at Port-Domois. Monet rock and Atlantic force.","series":"beach","tone":"Seascape","medium":"Oil on canvas","creditLine":"Wikimedia Commons","repositoryName":"Wikimedia Commons","dimensions":"36.00 × 48.00 in.","image":"https://media.morgangoins.org/art/cm-belle-ile-port-domois.jpg","printMaster":"https://media.morgangoins.org/art/cm-belle-ile-port-domois.jpg","pixels":"3292 × 4133 px","ppi":86,"dominantColor":"#615a62","sourceImage":"https://upload.wikimedia.org/wikipedia/commons/9/95/Claude_Monet_-_Rocks_at_Belle-lle%2C_Port-Domois_-_Google_Art_Project.jpg?utm_source=commons.wikimedia.org&utm_campaign=imageinfo&utm_content=original","overflow":"r2","recordUrl":"https://commons.wikimedia.org/wiki/File:Claude_Monet_-_Rocks_at_Belle-lle,_Port-Domois_-_Google_Art_Project.jpg","view":"https://media.morgangoins.org/art/cm-belle-ile-port-domois.jpg","preview":"https://media.morgangoins.org/art/preview/cm-belle-ile-port-domois.jpg","scanType":"JPEG","thumb":"https://media.morgangoins.org/art/thumbs/cm-belle-ile-port-domois.jpg","tiles":{"src":"https://media.morgangoins.org/art/tiles/cm-belle-ile-port-domois","width":3292,"height":4133,"tileSize":512,"maxLevel":4,"pack":"https://media.morgangoins.org/art/tiles/cm-belle-ile-port-domois.zip"},"scanMethod":"Museum photograph","tags":["Seascape","Painting","Canvas","19th century","Deep zoom"],"dominantColors":[{"hex":"#292734","share":0.233},{"hex":"#aba2a5","share":0.182},{"hex":"#38272b","share":0.139},{"hex":"#e6bea6","share":0.125},{"hex":"#1b2c43","share":0.107},{"hex":"#443544","share":0.038}]},{"id":"EP–beach-scene","title":"Beach Scene","artist":"Edward Henry Potthast","year":"c. 1915","story":"Children and mothers under a bright sky. The Atlantic is a playground. He painted joy without apology.","series":"beach","tone":"Landscape","medium":"Oil on canvas","creditLine":"Wikimedia Commons","recordUrl":"https://commons.wikimedia.org/wiki/File:Edward_henry_potthast_beach_scene114057).jpg","repositoryName":"Wikimedia Commons","dimensions":"24.00 × 30.00 in.","image":"https://media.morgangoins.org/art/ep-beach-scene.jpg","printMaster":"https://media.morgangoins.org/art/ep-beach-scene.jpg","pixels":"3200 × 2542 px","ppi":85,"dominantColor":"#8a9491","sourceImage":"https://upload.wikimedia.org/wikipedia/commons/2/28/Edward_henry_potthast_beach_scene114057%29.jpg","overflow":"r2","view":"https://media.morgangoins.org/art/ep-beach-scene.jpg","preview":"https://media.morgangoins.org/art/preview/ep-beach-scene.jpg","scanType":"JPEG","thumb":"https://media.morgangoins.org/art/thumbs/ep-beach-scene.jpg","tiles":null,"scanMethod":"Museum photograph","tags":["Landscape","Painting","Canvas","20th century"],"dominantColors":[{"hex":"#8a99a3","share":0.305},{"hex":"#b5baaf","share":0.269},{"hex":"#94967a","share":0.071},{"hex":"#b88f6e","share":0.005},{"hex":"#4a675b","share":0.005}]},{"id":"EP–bathing-beach","title":"The Bathing Beach","artist":"Edward Henry Potthast","year":"c. 1910s","story":"Crowds in the surf. Hats and towels. The city came to the shore and he caught the noise as color.","series":"beach","tone":"Landscape","medium":"Oil on canvas","creditLine":"Wikimedia Commons","recordUrl":"https://commons.wikimedia.org/wiki/File:Edward_Henry_Potthast_-_The_Bathing_Beach.jpg","repositoryName":"Wikimedia Commons","dimensions":"24.00 × 30.00 in.","image":"https://media.morgangoins.org/art/ep-bathing-beach.jpg","printMaster":"https://media.morgangoins.org/art/ep-bathing-beach.jpg","pixels":"3200 × 2515 px","ppi":84,"dominantColor":"#999c93","sourceImage":"https://upload.wikimedia.org/wikipedia/commons/f/f8/Edward_Henry_Potthast_-_The_Bathing_Beach.jpg","overflow":"r2","view":"https://media.morgangoins.org/art/ep-bathing-beach.jpg","preview":"https://media.morgangoins.org/art/preview/ep-bathing-beach.jpg","scanType":"JPEG","thumb":"https://media.morgangoins.org/art/thumbs/ep-bathing-beach.jpg","tiles":null,"scanMethod":"Museum photograph","tags":["Landscape","Painting","Canvas","20th century"],"dominantColors":[{"hex":"#bac7cd","share":0.306},{"hex":"#9c8e61","share":0.197},{"hex":"#839cbb","share":0.095},{"hex":"#8e4a28","share":0.006},{"hex":"#3d6855","share":0.008},{"hex":"#638d65","share":0.009}]},{"id":"EP–summer-afternoon","title":"A Summer Afternoon","artist":"Edward Henry Potthast","year":"1910s","story":"Late light on bathers. The heat softens. 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Evening arrives without raising its voice.","series":"sailing","tone":"Sunset","medium":"Oil on canvas","creditLine":"Wikimedia Commons / public domain","recordUrl":"https://commons.wikimedia.org/wiki/File:Aivazovsky_Sunset_over_Yalta.jpg","repositoryName":"Wikimedia Commons / public domain","dimensions":"26.18 × 39.37 in.","image":"https://media.morgangoins.org/art/ia-sunset-yalta.jpg","printMaster":"https://media.morgangoins.org/art/ia-sunset-yalta.jpg","pixels":"4000 × 3038 px","ppi":77,"dominantColor":"#a09779","sourceImage":"https://upload.wikimedia.org/wikipedia/commons/f/fb/Aivazovsky_Sunset_over_Yalta.jpg","overflow":"r2","view":"https://media.morgangoins.org/art/ia-sunset-yalta.jpg","preview":"https://media.morgangoins.org/art/preview/ia-sunset-yalta.jpg","scanType":"JPEG","thumb":"https://media.morgangoins.org/art/thumbs/ia-sunset-yalta.jpg","tiles":null,"scanMethod":"Museum photograph","tags":["Sunset","Afghanistan","Painting","Canvas","19th century"],"dominantColors":[{"hex":"#e5cd85","share":0.292},{"hex":"#a5b1ac","share":0.184},{"hex":"#617995","share":0.072},{"hex":"#232318","share":0.059}]},{"id":"IA–gibraltar-shipping","title":"American Shipping off the Rock of Gibraltar","artist":"Ivan Aivazovsky","year":"1873","story":"Gold air, a white sail, a black steamer. A boat of people rides the swell. The rock is only haze.","series":"sailing","tone":"Landscape","medium":"Oil on canvas","creditLine":"Private collection / Wikimedia Commons","recordUrl":"https://commons.wikimedia.org/wiki/File:Aivazovsky_gibraltar.jpg","repositoryName":"Private collection / Wikimedia Commons","dimensions":"52.13 × 43.00 in.","image":"https://media.morgangoins.org/art/ia-gibraltar-shipping.jpg","printMaster":"https://media.morgangoins.org/art/ia-gibraltar-shipping.jpg","pixels":"3543 × 2960 px","ppi":68,"dominantColor":"#c49c51","sourceImage":"https://upload.wikimedia.org/wikipedia/commons/1/17/Aivazovsky_gibraltar.jpg","overflow":"r2","view":"https://media.morgangoins.org/art/ia-gibraltar-shipping.jpg","preview":"https://media.morgangoins.org/art/preview/ia-gibraltar-shipping.jpg","scanType":"JPEG","thumb":"https://media.morgangoins.org/art/thumbs/ia-gibraltar-shipping.jpg","tiles":null,"scanMethod":"Museum photograph","tags":["Landscape","Painting","Canvas","19th century"],"dominantColors":[{"hex":"#efb147","share":0.473},{"hex":"#6c7d6a","share":0.096},{"hex":"#929e7c","share":0.072},{"hex":"#475a51","share":0.037}]},{"id":"IA–yevpatoria-storm","title":"Storm over Yevpatoria","artist":"Ivan Aivazovsky","year":"1861","story":"A black bow and a red flag. The sky is torn. The other ships are only masts.","series":"sailing","tone":"Landscape","medium":"Oil on canvas","creditLine":"Tsarskoye Selo Museum-Reserve","recordUrl":"https://ar.culture.ru/en/subject/burya-pod-evpatoriey","repositoryName":"Tsarskoye Selo Museum-Reserve","dimensions":"124.92 × 81.34 in.","image":"https://media.morgangoins.org/art/ia-yevpatoria-storm.jpg","printMaster":"https://media.morgangoins.org/art/ia-yevpatoria-storm.jpg","pixels":"3420 × 2224 px","ppi":27,"dominantColor":"#5e594e","sourceImage":"https://ar.culture.ru/attachments/attachment/original/609d437754ab04015e572924-original.jpg","overflow":"r2","view":"https://media.morgangoins.org/art/ia-yevpatoria-storm.jpg","preview":"https://media.morgangoins.org/art/preview/ia-yevpatoria-storm.jpg","scanType":"JPEG","thumb":"https://media.morgangoins.org/art/thumbs/ia-yevpatoria-storm.jpg","tiles":null,"scanMethod":"Museum photograph","tags":["Landscape","Painting","Canvas","19th century"],"dominantColors":[{"hex":"#4c524b","share":0.594},{"hex":"#79614c","share":0.195},{"hex":"#5d6773","share":0.07}]},{"id":"IA–ship-stormy-seas","title":"Ship on Stormy Seas","artist":"Ivan Aivazovsky","year":"c. 1850s","story":"A bare mast leans into turquoise spray. One red pennant. The light breaks only on the right.","series":"sailing","tone":"Landscape","medium":"Oil on canvas","creditLine":"Private collection","recordUrl":"https://commons.wikimedia.org/wiki/File:Ivan_Aivazovsky_-_Ship_on_Stormy_Seas.jpg","repositoryName":"Private collection","dimensions":null,"image":"https://media.morgangoins.org/art/ia-ship-stormy-seas.jpg","printMaster":"https://media.morgangoins.org/art/ia-ship-stormy-seas.jpg","pixels":"3000 × 2119 px","ppi":null,"dominantColor":"#6e7e7f","sourceImage":"https://upload.wikimedia.org/wikipedia/commons/6/60/Ivan_Aivazovsky_-_Ship_on_Stormy_Seas.jpg","overflow":"r2","view":"https://media.morgangoins.org/art/ia-ship-stormy-seas.jpg","preview":"https://media.morgangoins.org/art/preview/ia-ship-stormy-seas.jpg","scanType":"JPEG","thumb":"https://media.morgangoins.org/art/thumbs/ia-ship-stormy-seas.jpg","tiles":null,"scanMethod":"Museum photograph","tags":["Landscape","Painting","Canvas","19th century"],"dominantColors":[{"hex":"#8c9390","share":0.26},{"hex":"#637b7f","share":0.191},{"hex":"#e6dac2","share":0.087}]},{"id":"BZ–looking-down-yosemite","accessionNumber":"1991.879","title":"Looking Down Yosemite Valley, California","artist":"Albert Bierstadt","year":"1865","story":"1865. The war is ending. A sunlit valley hung in front of a tired country. No blood. No speech. Just a place that looks like a future.","series":"landscapes","image":"https://media.morgangoins.org/art/bz-looking-down-yosemite.jpg","sourceImage":"https://upload.wikimedia.org/wikipedia/commons/8/8c/Looking_Down_Yosemite-Valley.jpg","pixels":"8800 × 5848 px","dimensions":"96.50 × 64.50 in.","ppi":91,"tone":"Landscape","medium":"Oil on canvas","creditLine":"Gift of the Birmingham Public Library","dominantColor":"#695741","recordUrl":"https://www.artsbma.org/collection/looking-down-yosemite-valley-california/","repositoryName":"Birmingham Museum of Art","overflow":"r2","view":"https://media.morgangoins.org/art/bz-looking-down-yosemite.jpg","preview":"https://media.morgangoins.org/art/preview/bz-looking-down-yosemite.jpg","printMaster":"https://media.morgangoins.org/art/bz-looking-down-yosemite.jpg","scanType":"JPEG","thumb":"https://media.morgangoins.org/art/thumbs/bz-looking-down-yosemite.jpg","tiles":{"src":"https://media.morgangoins.org/art/tiles/bz-looking-down-yosemite","width":8800,"height":5848,"tileSize":512,"maxLevel":5,"pack":"https://media.morgangoins.org/art/tiles/bz-looking-down-yosemite.zip"},"scanMethod":"Museum photograph","tags":["Landscape","Painting","Hudson River","Canvas","19th century","Deep zoom"],"dominantColors":[{"hex":"#271e12","share":0.203},{"hex":"#4e4336","share":0.19}],"roomArt":{"file":"bz-looking-down-yosemite","widths":[640,1280]}},{"id":"FEC–rainy-season","accessionNumber":"1970.9","title":"Rainy Season in the Tropics","artist":"Frederic Edwin Church","year":"1866","story":"A double rainbow after a storm in a land of palms. The Civil War over. The country needing a sky that still worked. The light keeps its promise.","series":"landscapes","image":"https://media.morgangoins.org/art/fec-rainy-season.jpg","sourceImage":"https://upload.wikimedia.org/wikipedia/commons/8/8f/Frederic_Edwin_Church_-_Rainy_Season_in_the_Tropics_-_Google_Art_Project.jpg","pixels":"9777 × 6482 px","dimensions":"84.25 × 56.25 in.","ppi":115,"tone":"Landscape","medium":"Oil on canvas","creditLine":"Museum purchase, Mildred Anna Williams Collection","dominantColor":"#686d69","recordUrl":"https://www.famsf.org/artworks/rainy-season-in-the-tropics","repositoryName":"Fine Arts Museums of San Francisco","overflow":"r2","view":"https://media.morgangoins.org/art/fec-rainy-season.jpg","preview":"https://media.morgangoins.org/art/preview/fec-rainy-season.jpg","printMaster":"https://media.morgangoins.org/art/fec-rainy-season.jpg","scanType":"JPEG","thumb":"https://media.morgangoins.org/art/thumbs/fec-rainy-season.jpg","tiles":{"src":"https://media.morgangoins.org/art/tiles/fec-rainy-season","width":9777,"height":6482,"tileSize":512,"maxLevel":5,"pack":"https://media.morgangoins.org/art/tiles/fec-rainy-season.zip"},"scanMethod":"Museum photograph","tags":["Landscape","Painting","Hudson River","Canvas","19th century","Deep zoom"],"dominantColors":[{"hex":"#707373","share":0.46},{"hex":"#071615","share":0.068},{"hex":"#b5b3ac","share":0.049},{"hex":"#212d1e","share":0.036},{"hex":"#1374a0","share":0.012},{"hex":"#8a795a","share":0.009}],"roomArt":{"file":"fec-rainy-season","widths":[640,1280]}},{"id":"BZ–sierra-nevada","accessionNumber":"1977.107.1","title":"Among the Sierra Nevada, California","artist":"Albert Bierstadt","year":"1868","story":"A still lake. A few deer. Water falling out of a cloud. The Sierra holds the rest. Nothing happens. That is enough.","series":"landscapes","image":"https://media.morgangoins.org/art/bz-sierra-nevada.jpg","sourceImage":"https://upload.wikimedia.org/wikipedia/commons/5/5f/Bierstadt_-_Among_the_Sierra_Nevada_Mountains_-_1868.jpg","pixels":"10500 × 6298 px","dimensions":"120.13 × 72.00 in.","ppi":87,"tone":"Landscape","medium":"Oil on canvas","creditLine":"Bequest of Helen Huntington Hull","dominantColor":"#5f5d54","recordUrl":"https://americanart.si.edu/artwork/among-sierra-nevada-california-2059","repositoryName":"Smithsonian American Art Museum","overflow":"r2","view":"https://media.morgangoins.org/art/bz-sierra-nevada.jpg","preview":"https://media.morgangoins.org/art/preview/bz-sierra-nevada.jpg","printMaster":"https://media.morgangoins.org/art/bz-sierra-nevada.jpg","scanType":"JPEG","thumb":"https://media.morgangoins.org/art/thumbs/bz-sierra-nevada.jpg","tiles":{"src":"https://media.morgangoins.org/art/tiles/bz-sierra-nevada","width":10500,"height":6298,"tileSize":512,"maxLevel":5,"pack":"https://media.morgangoins.org/art/tiles/bz-sierra-nevada.zip"},"scanMethod":"Museum photograph","tags":["Landscape","Painting","Hudson River","Canvas","19th century","Deep zoom"],"dominantColors":[{"hex":"#2b2b27","share":0.365},{"hex":"#817e75","share":0.135},{"hex":"#46423a","share":0.073}],"roomArt":{"file":"bz-sierra-nevada","widths":[640,1280]}},{"id":"BZ–last-buffalo","accessionNumber":"2014.79.5","title":"The Last of the Buffalo","artist":"Albert Bierstadt","year":"1888","story":"The hunt, painted after the hunt was already over. The herds were gone. So the last picture was made too big to ignore. The dust is a funeral.","series":"landscapes","image":"https://media.morgangoins.org/art/bz-last-buffalo.jpg","sourceImage":"https://upload.wikimedia.org/wikipedia/commons/3/30/The_Last_of_the_Buffalo.jpg","pixels":"10602 × 6252 px","dimensions":"118.75 × 71.00 in.","ppi":88,"tone":"Landscape","medium":"Oil on canvas","creditLine":"Corcoran Collection (Gift of Mary Stewart Bierstadt [Mrs. Albert Bierstadt])","dominantColor":"#87785a","recordUrl":"https://www.nga.gov/artworks/124525-last-buffalo","repositoryName":"National Gallery of Art","overflow":"r2","view":"https://media.morgangoins.org/art/bz-last-buffalo.jpg","preview":"https://media.morgangoins.org/art/preview/bz-last-buffalo.jpg","printMaster":"https://media.morgangoins.org/art/bz-last-buffalo.jpg","scanType":"JPEG","thumb":"https://media.morgangoins.org/art/thumbs/bz-last-buffalo.jpg","tiles":{"src":"https://media.morgangoins.org/art/tiles/bz-last-buffalo","width":10602,"height":6252,"tileSize":512,"maxLevel":5,"pack":"https://media.morgangoins.org/art/tiles/bz-last-buffalo.zip"},"scanMethod":"Museum photograph","tags":["Landscape","Painting","Hudson River","Canvas","19th century","Deep zoom"],"dominantColors":[{"hex":"#a4b5a3","share":0.275},{"hex":"#472c17","share":0.194},{"hex":"#809fa8","share":0.038}]},{"id":"FEC–cotopaxi","accessionNumber":"74.58","title":"Cotopaxi","artist":"Frederic Edwin Church","year":"1855","story":"A volcano in the Andes, smoking like a warning. A mountain that could end a day, brought north. Ecuador is far. The ash feels close.","series":"landscapes","image":"https://media.morgangoins.org/art/fec-cotopaxi.jpg","sourceImage":"https://upload.wikimedia.org/wikipedia/commons/f/fb/Frederic_Edwin_Church_-_Cotopaxi_-_Google_Art_Project.jpg","pixels":"8322 × 5357 px","dimensions":"46.44 × 30.00 in.","ppi":179,"tone":"Landscape","medium":"Oil on canvas","creditLine":"Museum of Fine Arts, Houston","dominantColor":"#807360","recordUrl":"https://emuseum.mfah.org/objects/1458/cotopaxi","repositoryName":"Museum of Fine Arts, Houston","overflow":"r2","view":"https://media.morgangoins.org/art/fec-cotopaxi.jpg","preview":"https://media.morgangoins.org/art/preview/fec-cotopaxi.jpg","printMaster":"https://media.morgangoins.org/art/fec-cotopaxi.jpg","scanType":"JPEG","thumb":"https://media.morgangoins.org/art/thumbs/fec-cotopaxi.jpg","tiles":{"src":"https://media.morgangoins.org/art/tiles/fec-cotopaxi","width":8322,"height":5357,"tileSize":512,"maxLevel":5,"pack":"https://media.morgangoins.org/art/tiles/fec-cotopaxi.zip"},"scanMethod":"Museum photograph","tags":["Landscape","Painting","Hudson River","Canvas","19th century","Deep zoom"],"dominantColors":[{"hex":"#cabfa7","share":0.321},{"hex":"#120a12","share":0.045},{"hex":"#acaba5","share":0.025}],"roomArt":{"file":"fec-cotopaxi","widths":[640,1280]}},{"id":"BZ–buffalo-trail","accessionNumber":"2014.79.3","title":"Buffalo Trail: The Impending Storm","artist":"Albert Bierstadt","year":"1869","story":"A storm comes for the herd. The last free weather over the last free animals. America was already closing the map. The buffalo did not get a vote.","series":"landscapes","image":"https://media.morgangoins.org/art/bz-buffalo-trail.jpg","printMaster":"https://media.morgangoins.org/art/masters/bz-buffalo-trail.jpg","sourceImage":"https://upload.wikimedia.org/wikipedia/commons/3/3f/Albert_Bierstadt_-_Buffalo_Trail%2C_The_Impending_Storm_%281869%29_-_NGA.jpg","pixels":"21225 × 12646 px","dimensions":"49.50 × 29.50 in.","ppi":429,"tone":"Landscape","medium":"Oil on canvas","creditLine":"Corcoran Collection (Museum Purchase, through the gift of Mr. and Mrs. Lansdell K. Christie)","dominantColor":"#5c5b4f","recordUrl":"https://www.nga.gov/artworks/166427-buffalo-trail-impending-storm","repositoryName":"National Gallery of Art","overflow":"r2","view":"https://media.morgangoins.org/art/bz-buffalo-trail.jpg","preview":"https://media.morgangoins.org/art/preview/bz-buffalo-trail.jpg","scanType":"JPEG","thumb":"https://media.morgangoins.org/art/thumbs/bz-buffalo-trail.jpg","tiles":{"src":"https://media.morgangoins.org/art/tiles/bz-buffalo-trail","width":11095,"height":6611,"tileSize":512,"maxLevel":5,"pack":"https://media.morgangoins.org/art/tiles/bz-buffalo-trail.zip"},"scanMethod":"Museum photograph","tags":["Landscape","Painting","Hudson River","Canvas","19th century","300+ PPI","Deep zoom"],"dominantColors":[{"hex":"#2f2624","share":0.26},{"hex":"#4c432e","share":0.226},{"hex":"#959b89","share":0.139},{"hex":"#253942","share":0.07}]},{"id":"BZ–10154","objectId":10154,"accessionNumber":"07.123","title":"The Rocky Mountains, Lander's Peak","artist":"Albert Bierstadt","year":"1863","story":"A peak named for a dead explorer. A survey camp turned into a promised land and sold for a fortune. 1863. The country was at war. This is what escape looked like.","series":"landscapes","image":"https://media.morgangoins.org/art/bz-landers-peak.jpg","sourceImage":"https://images.metmuseum.org/CRDImages/ad/original/DT82.jpg","pixels":"3811 × 2284 px","dimensions":"120.75 × 73.50 in.","ppi":31,"tone":"Landscape","medium":"Oil on canvas","creditLine":"Rogers Fund, 1907","dominantColor":"#7f8173","recordUrl":"https://www.metmuseum.org/art/collection/search/10154","repositoryName":"The Metropolitan Museum of Art","overflow":"r2","view":"https://media.morgangoins.org/art/bz-landers-peak.jpg","preview":"https://media.morgangoins.org/art/preview/bz-landers-peak.jpg","printMaster":"https://media.morgangoins.org/art/bz-landers-peak.jpg","scanType":"JPEG","thumb":"https://media.morgangoins.org/art/thumbs/bz-landers-peak.jpg","tiles":null,"scanMethod":"Museum photograph","tags":["Landscape","Painting","Hudson River","Canvas","19th century"],"dominantColors":[{"hex":"#3a3823","share":0.296},{"hex":"#cbd6d6","share":0.267},{"hex":"#9fc9dc","share":0.052},{"hex":"#7d7a6e","share":0.043}]},{"id":"CDF–two-men","objectId":438417,"accessionNumber":"2000.51","title":"Two Men Contemplating the Moon","artist":"Caspar David Friedrich","year":"c. 1825–30","story":"Two men, a crooked tree, a thin moon. They stand close and look the same way. We do not hear what they think.","series":"landscapes","image":"https://media.morgangoins.org/art/cdf-two-men.jpg","sourceImage":"https://upload.wikimedia.org/wikipedia/commons/5/55/Friedrich_-_Two_Men_Contemplating_the_Moon.jpg","pixels":"5935 × 4752 px","dimensions":"17.25 × 13.75 in.","ppi":344,"tone":"Landscape","medium":"Oil on canvas","creditLine":"Wrightsman Fund, 2000","dominantColor":"#543e23","recordUrl":"https://www.metmuseum.org/art/collection/search/438417","repositoryName":"The Metropolitan Museum of Art","overflow":"r2","view":"https://media.morgangoins.org/art/cdf-two-men.jpg","preview":"https://media.morgangoins.org/art/preview/cdf-two-men.jpg","printMaster":"https://media.morgangoins.org/art/cdf-two-men.jpg","scanType":"JPEG","thumb":"https://media.morgangoins.org/art/thumbs/cdf-two-men.jpg","tiles":{"src":"https://media.morgangoins.org/art/tiles/cdf-two-men","width":5935,"height":4752,"tileSize":512,"maxLevel":4,"pack":"https://media.morgangoins.org/art/tiles/cdf-two-men.zip"},"scanMethod":"Museum photograph","tags":["Landscape","Painting","Romanticism","Canvas","19th century","300+ PPI","Deep zoom"],"dominantColors":[{"hex":"#33230e","share":0.527}]},{"id":"CDF–winter-landscape","accessionNumber":"NG6517","title":"Winter Landscape","artist":"Caspar David Friedrich","year":"c. 1811","story":"A crippled man prays in the snow toward a cross and a church he may never reach.","series":"landscapes","image":"https://media.morgangoins.org/art/cdf-winter-landscape.jpg","sourceImage":"https://upload.wikimedia.org/wikipedia/commons/9/9e/Caspar_David_Friedrich_-_Winterlandschaft_%28London%29.jpg","pixels":"12672 × 9112 px","dimensions":"17.72 × 12.80 in.","ppi":712,"tone":"Landscape","medium":"Oil on canvas","creditLine":"Bought, 1987","dominantColor":"#757070","recordUrl":"https://www.nationalgallery.org.uk/paintings/caspar-david-friedrich-winter-landscape","repositoryName":"The National Gallery, London","overflow":"r2","view":"https://media.morgangoins.org/art/cdf-winter-landscape.jpg","preview":"https://media.morgangoins.org/art/preview/cdf-winter-landscape.jpg","printMaster":"https://media.morgangoins.org/art/cdf-winter-landscape.jpg","scanType":"JPEG","thumb":"https://media.morgangoins.org/art/thumbs/cdf-winter-landscape.jpg","tiles":{"src":"https://media.morgangoins.org/art/tiles/cdf-winter-landscape","width":12672,"height":9112,"tileSize":512,"maxLevel":5,"pack":"https://media.morgangoins.org/art/tiles/cdf-winter-landscape.zip"},"scanMethod":"Museum photograph","tags":["Landscape","Painting","Romanticism","Canvas","19th century","300+ PPI","600+ PPI","Deep zoom"],"dominantColors":[{"hex":"#5d5a5a","share":0.356},{"hex":"#b6b8bd","share":0.161},{"hex":"#39362f","share":0.12}]},{"id":"BZ–bridal-veil","accessionNumber":"2002.45","title":"Bridal Veil Falls, Yosemite Valley, California","artist":"Albert Bierstadt","year":"1871–73","story":"You almost miss the fall. A thin white line on the right wall. Oaks, gold grass, granite in the sun. Yosemite on a still day. The water is the only thing moving.","series":"landscapes","image":"https://media.morgangoins.org/art/bz-bridal-veil.jpg","sourceImage":"https://upload.wikimedia.org/wikipedia/commons/e/e9/Albert_Bierstadt_-_Bridal_Veil_Falls%2C_Yosemite_Valley%2C_California_-_Google_Art_Project.jpg","pixels":"3001 × 2201 px","dimensions":"26.00 × 18.88 in.","ppi":115,"tone":"Landscape","medium":"Oil on paper mounted on canvas","creditLine":"The Edwin and Virginia Irwin Memorial","dominantColor":"#8b7e5b","recordUrl":"https://collection.cincinnatiartmuseum.org/objects/12363/bridal-veil-falls-yosemite-valley-california","repositoryName":"Cincinnati Art Museum","overflow":"r2","view":"https://media.morgangoins.org/art/bz-bridal-veil.jpg","preview":"https://media.morgangoins.org/art/preview/bz-bridal-veil.jpg","printMaster":"https://media.morgangoins.org/art/bz-bridal-veil.jpg","scanType":"JPEG","thumb":"https://media.morgangoins.org/art/thumbs/bz-bridal-veil.jpg","tiles":null,"scanMethod":"Museum photograph","tags":["Landscape","Drawing","Hudson River","Paper","19th century"],"dominantColors":[{"hex":"#665627","share":0.267},{"hex":"#b4beb9","share":0.191},{"hex":"#8fa6ad","share":0.032}]},{"id":"BZ–yellowstone-falls","accessionNumber":"2.63","title":"Yellowstone Falls","artist":"Albert Bierstadt","year":"1881","story":"Yellowstone before the gift shops. The fall like a white engine. The government was still arguing whether wonder needed a park. 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The span, before the war split the ground under it. Tourists already came. 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Before the volcanoes. 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Church on the ridge. 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Gifford air through the leaves.","series":"landscapes","tone":"Landscape","medium":"Oil on canvas","creditLine":"The Cleveland Museum of Art","recordUrl":"https://www.clevelandart.org/art/1922.220","repositoryName":"The Cleveland Museum of Art","dimensions":"12.50 × 14.94 in.","image":"https://media.morgangoins.org/art/srg-autumn-path.jpg","printMaster":"https://media.morgangoins.org/art/masters/srg-autumn-path.tif","pixels":"3650 × 4378 px","ppi":292,"dominantColor":"#603d2d","sourceImage":"https://openaccess-cdn.clevelandart.org/1922.220/1922.220_full.tif","overflow":"r2","view":"https://media.morgangoins.org/art/srg-autumn-path.jpg","preview":"https://media.morgangoins.org/art/preview/srg-autumn-path.jpg","scanType":"TIFF","thumb":"https://media.morgangoins.org/art/thumbs/srg-autumn-path.jpg","tiles":null,"scanMethod":"Museum photograph","tags":["Landscape","Painting","Hudson River","Canvas","19th century"]},{"id":"WSH–sorrento-bridge","title":"Natural Bridge, Sorrento","artist":"William Stanley Haseltine","year":"c. 1858","story":"Stone arch over bright sea. Rock cut by sun. Sorrento light that does not blink.","series":"landscapes","tone":"Landscape","medium":"Oil on canvas","creditLine":"The Cleveland Museum of Art","recordUrl":"https://www.clevelandart.org/art/1961.228","repositoryName":"The Cleveland Museum of Art","dimensions":"18.81 × 13.06 in.","image":"https://media.morgangoins.org/art/wsh-sorrento-bridge.jpg","printMaster":"https://media.morgangoins.org/art/masters/wsh-sorrento-bridge.tif","pixels":"5299 × 3661 px","ppi":280,"dominantColor":"#655a4d","sourceImage":"https://openaccess-cdn.clevelandart.org/1961.228/1961.228_full.tif","overflow":"r2","view":"https://media.morgangoins.org/art/wsh-sorrento-bridge.jpg","preview":"https://media.morgangoins.org/art/preview/wsh-sorrento-bridge.jpg","scanType":"TIFF","thumb":"https://media.morgangoins.org/art/thumbs/wsh-sorrento-bridge.jpg","tiles":null,"scanMethod":"Museum photograph","tags":["Landscape","Painting","Hudson River","Canvas","19th century"]},{"id":"JFC–lake-ontario","accessionNumber":"71.13","title":"Summer, Lake Ontario","artist":"Jasper Francis Cropsey","year":"1857","story":"The sun is on the lake. 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A red cliff stands in the river.","series":"landscapes","tone":"Landscape","medium":"Oil on canvas","creditLine":"Dallas Museum of Art, Munger Fund","recordUrl":"https://dma.org/art/collection/object/4110584","repositoryName":"Dallas Museum of Art","dimensions":"40.00 × 30.00 in.","image":"https://media.morgangoins.org/art/tm-indian-paradise.jpg","printMaster":"https://media.morgangoins.org/art/tm-indian-paradise.jpg","pixels":"9828 × 7433 px","ppi":246,"dominantColor":"#747467","sourceImage":"https://upload.wikimedia.org/wikipedia/commons/6/64/Thomas_Moran_-_An_Indian_Paradise_%28Green_River%2C_Wyoming%29_-_1950.50.M_-_Dallas_Museum_of_Art.jpg","overflow":"r2","view":"https://media.morgangoins.org/art/tm-indian-paradise.jpg","preview":"https://media.morgangoins.org/art/preview/tm-indian-paradise.jpg","scanType":"JPEG","thumb":"https://media.morgangoins.org/art/thumbs/tm-indian-paradise.jpg","tiles":{"src":"https://media.morgangoins.org/art/tiles/tm-indian-paradise","width":9828,"height":7433,"tileSize":512,"maxLevel":5,"pack":"https://media.morgangoins.org/art/tiles/tm-indian-paradise.zip"},"scanMethod":"Museum photograph","tags":["Landscape","Painting","Hudson River","Canvas","20th century","Deep zoom"],"dominantColors":[{"hex":"#929c98","share":0.433},{"hex":"#322d18","share":0.215},{"hex":"#6f8190","share":0.036}]},{"id":"BZ–sunrise-yosemite","accessionNumber":"1966.1","title":"Sunrise, Yosemite Valley","artist":"Albert Bierstadt","year":"c. 1870","story":"Morning hits the valley like a secret being told too loud. 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Summer holds still.","series":"landscapes","tone":"Landscape","medium":"Oil on canvas","creditLine":"Private collection","recordUrl":"https://commons.wikimedia.org/wiki/File:Z%C3%BCnd_Kornfeld_mit_Eichen.jpg","repositoryName":"Private collection","dimensions":"32.09 × 24.02 in.","image":"https://media.morgangoins.org/art/rz-cornfield-oaks.jpg","printMaster":"https://media.morgangoins.org/art/rz-cornfield-oaks.jpg","pixels":"2398 × 1802 px","ppi":75,"dominantColor":"#867569","sourceImage":"https://upload.wikimedia.org/wikipedia/commons/5/59/Z%C3%BCnd_Kornfeld_mit_Eichen.jpg","overflow":"r2","view":"https://media.morgangoins.org/art/rz-cornfield-oaks.jpg","preview":"https://media.morgangoins.org/art/preview/rz-cornfield-oaks.jpg","scanType":"JPEG","thumb":"https://media.morgangoins.org/art/thumbs/rz-cornfield-oaks.jpg","tiles":null,"scanMethod":"Museum photograph","tags":["Landscape","Painting","Hudson River","Canvas","19th century"],"dominantColors":[{"hex":"#3e2d26","share":0.268},{"hex":"#c2c4c6","share":0.25},{"hex":"#9baab7","share":0.087}]},{"id":"TC–manhood","accessionNumber":"1971.16.3","title":"The Voyage of Life: Manhood","artist":"Thomas Cole","year":"1842","story":"The boat hits the rapids and the sky goes to court. 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Life as a ride you did not ask for. The angel steers. For now.","series":"landscapes","tone":"Landscape","medium":"Oil on canvas","creditLine":"National Gallery of Art","recordUrl":"https://www.nga.gov/collection/art-object-page.52450.html","repositoryName":"National Gallery of Art","dimensions":"76.9 × 52.9 in.","image":"https://media.morgangoins.org/art/tc-childhood.jpg","printMaster":"https://media.morgangoins.org/art/tc-childhood.jpg","pixels":"5121 × 3459 px","ppi":65,"dominantColor":"#6c543d","sourceImage":"https://upload.wikimedia.org/wikipedia/commons/8/89/Thomas_Cole_-_The_Voyage_of_Life_Childhood%2C_1842_%28National_Gallery_of_Art%29.jpg","overflow":"r2","view":"https://media.morgangoins.org/art/tc-childhood.jpg","preview":"https://media.morgangoins.org/art/preview/tc-childhood.jpg","scanType":"JPEG","thumb":"https://media.morgangoins.org/art/thumbs/tc-childhood.jpg","tiles":{"src":"https://media.morgangoins.org/art/tiles/tc-childhood","width":5121,"height":3459,"tileSize":512,"maxLevel":4,"pack":"https://media.morgangoins.org/art/tiles/tc-childhood.zip"},"scanMethod":"Museum photograph","tags":["Landscape","Painting","Hudson River","Canvas","19th century","Deep zoom"],"dominantColors":[{"hex":"#3c2a1c","share":0.444},{"hex":"#a69d91","share":0.042}]},{"id":"TC–old-age","accessionNumber":"1971.16.4","title":"The Voyage of Life: Old Age","artist":"Thomas Cole","year":"1842","story":"The water is ocean. The boat is broken. An angel is finally close. The trip ends with light, not land. You do not dock. 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The Sierra habit, taken to Switzerland. Same trick. Same awe. The mountain does not care which country owns the view.","series":"landscapes","image":"https://media.morgangoins.org/art/bz-matterhorn.jpg","sourceImage":"https://images.metmuseum.org/CRDImages/ad/original/DT218107.jpg","pixels":"2721 × 3722 px","dimensions":"42.64 × 58.50 in.","ppi":63,"tone":"Landscape","medium":"Oil on canvas","creditLine":"Gift of Mrs. Karl W. 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A Swiss lake, huge, careful, before the West ate the name. Paradise, still being proved. 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The Andes hung in New York, and people lined up like it was a play. A cross in the hills. A whole continent in one room.","series":"landscapes","tone":"Landscape","medium":"Oil on canvas","creditLine":"Bequest of Margaret E. 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A quiet river. Morning that never quite finishes arriving.","view":"https://media.morgangoins.org/art/fec-morning-tropics.jpg","preview":"https://media.morgangoins.org/art/preview/fec-morning-tropics.jpg","scanType":"JPEG","thumb":"https://media.morgangoins.org/art/thumbs/fec-morning-tropics.jpg","tiles":null,"scanMethod":"Museum photograph","tags":["Tropics","Painting","Hudson River","Canvas","19th century"]},{"id":"AR–mountain-stream-moonlight","title":"Mountain Stream in the Moonlight","artist":"Albert Rieger","year":"c. 1870","story":"A full moon over cold water. The mill keeps a tiny orange lamp. Pines stand black. 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Daylight, barges, and a dome that owns the water.","series":"cathedrals","tone":"Cathedral","medium":"Oil on canvas","creditLine":"Museum of Fine Arts, Houston / Google Art Project","recordUrl":"https://commons.wikimedia.org/wiki/File:Canaletto_-_The_Entrance_to_the_Grand_Canal,_Venice_-_Google_Art_Project.jpg","repositoryName":"Museum of Fine Arts, Houston","dimensions":"29.00 × 19.50 in.","image":"https://media.morgangoins.org/art/ct-canaletto-grand-canal.jpg","printMaster":"https://media.morgangoins.org/art/ct-canaletto-grand-canal.jpg","pixels":"8392 × 5724 px","ppi":289,"dominantColor":"#8d9386","sourceImage":"https://upload.wikimedia.org/wikipedia/commons/9/90/Canaletto_-_The_Entrance_to_the_Grand_Canal%2C_Venice_-_Google_Art_Project.jpg?utm_source=commons.wikimedia.org&utm_campaign=imageinfo&utm_content=original","overflow":"r2","view":"https://media.morgangoins.org/art/ct-canaletto-grand-canal.jpg","preview":"https://media.morgangoins.org/art/preview/ct-canaletto-grand-canal.jpg","scanType":"JPEG","thumb":"https://media.morgangoins.org/art/thumbs/ct-canaletto-grand-canal.jpg","tiles":null,"scanMethod":"Museum photograph","tags":["Cathedral","Cologne","Painting","Canvas","18th century"]},{"id":"CT–von-alt-stephansdom","title":"St. Stephen's Cathedral, Vienna","artist":"Rudolf von Alt","year":"1832","story":"Stephansdom owns the square. Von Alt paints Vienna's Gothic heart in clear Alpine daylight.","series":"cathedrals","tone":"Cathedral","medium":"Watercolor","creditLine":"Wikimedia Commons / public domain","recordUrl":"https://commons.wikimedia.org/wiki/File:Rudolf_von_Alt_-_Der_Stephansdom_in_Wien_(1832).jpg","repositoryName":"Wikimedia Commons","dimensions":"22.50 × 18.00 in.","image":"https://media.morgangoins.org/art/ct-von-alt-stephansdom.jpg","printMaster":"https://media.morgangoins.org/art/ct-von-alt-stephansdom.jpg","pixels":"5880 × 4668 px","ppi":259,"dominantColor":"#837661","sourceImage":"https://upload.wikimedia.org/wikipedia/commons/6/67/Rudolf_von_Alt_-_Der_Stephansdom_in_Wien_%281832%29.jpg?utm_source=commons.wikimedia.org&utm_campaign=imageinfo&utm_content=original","overflow":"r2","view":"https://media.morgangoins.org/art/ct-von-alt-stephansdom.jpg","preview":"https://media.morgangoins.org/art/preview/ct-von-alt-stephansdom.jpg","scanType":"JPEG","thumb":"https://media.morgangoins.org/art/thumbs/ct-von-alt-stephansdom.jpg","tiles":null,"scanMethod":"Museum photograph","tags":["Cathedral","Cologne","Painting","19th century"]},{"id":"CT–guardi-salute","title":"Santa Maria della Salute","artist":"Francesco Guardi","year":"c. 1770","story":"Salute's dome over the Bacino. Guardi's Venice in open daylight — not another San Marco.","series":"cathedrals","tone":"Cathedral","medium":"Oil on canvas","creditLine":"National Gallery of Art / Wikimedia Commons","recordUrl":"https://commons.wikimedia.org/wiki/File%3AFrancesco_Guardi_-_Santa_Maria_della_Salute_%28c._1770%29_-_NGA.jpg","repositoryName":"National Gallery of Art","dimensions":"48.00 × 30.00 in.","image":"https://media.morgangoins.org/art/ct-guardi-salute.jpg","printMaster":"https://media.morgangoins.org/art/ct-guardi-salute.jpg","pixels":"12251 × 7372 px","ppi":246,"dominantColor":"#636650","sourceImage":"https://upload.wikimedia.org/wikipedia/commons/9/90/Francesco_Guardi_-_Santa_Maria_della_Salute_%28c._1770%29_-_NGA.jpg?utm_source=commons.wikimedia.org&utm_campaign=imageinfo&utm_content=original","overflow":"r2","view":"https://media.morgangoins.org/art/ct-guardi-salute.jpg","preview":"https://media.morgangoins.org/art/preview/ct-guardi-salute.jpg","scanType":"JPEG","thumb":"https://media.morgangoins.org/art/thumbs/ct-guardi-salute.jpg","tiles":{"src":"https://media.morgangoins.org/art/tiles/ct-guardi-salute","width":12251,"height":7372,"tileSize":512,"maxLevel":5,"pack":"https://media.morgangoins.org/art/tiles/ct-guardi-salute.zip"},"scanMethod":"Museum photograph","tags":["Cathedral","Cologne","Painting","Canvas","18th century","Deep zoom"],"dominantColors":[{"hex":"#667362","share":0.549},{"hex":"#5f5134","share":0.266}]},{"id":"CT–genisson-amiens","title":"Interior of Amiens Cathedral","artist":"Jules Victor Génisson","year":"1842","story":"Amiens opens like a canyon of stone. Daylight rides the nave. No crypt, no martyrdom—just height and clear air.","series":"cathedrals","tone":"Cathedral","medium":"Oil on canvas","creditLine":"Wikimedia Commons / public domain","recordUrl":"https://commons.wikimedia.org/wiki/File:Jules_Victor_G%C3%A9nisson_-_Interior_da_Catedral_de_Amiens_-_1842.jpg","repositoryName":"Wikimedia Commons","dimensions":"36.00 × 48.00 in.","image":"https://media.morgangoins.org/art/ct-genisson-amiens.jpg","printMaster":"https://media.morgangoins.org/art/ct-genisson-amiens.jpg","pixels":"8932 × 11218 px","ppi":234,"dominantColor":"#675441","sourceImage":"https://upload.wikimedia.org/wikipedia/commons/9/96/Jules_Victor_G%C3%A9nisson_-_Interior_da_Catedral_de_Amiens_-_1842.jpg?utm_source=commons.wikimedia.org&utm_campaign=imageinfo&utm_content=original","overflow":"r2","view":"https://media.morgangoins.org/art/ct-genisson-amiens.jpg","preview":"https://media.morgangoins.org/art/preview/ct-genisson-amiens.jpg","scanType":"JPEG","thumb":"https://media.morgangoins.org/art/thumbs/ct-genisson-amiens.jpg","tiles":null,"scanMethod":"Museum photograph","tags":["Cathedral","Cologne","Painting","Canvas","19th century"],"roomArt":{"file":"ct-genisson-amiens","widths":[640,1280]}},{"id":"CT–saenredam-st-bavo","title":"Interior of St Bavo's Church, Haarlem","artist":"Pieter Jansz. 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The Grote Kerk opens like a hall of air—no candles, no gloom.","series":"cathedrals","tone":"Cathedral","medium":"Oil on panel","creditLine":"Rijksmuseum / Google Art Project","recordUrl":"https://commons.wikimedia.org/wiki/File:Pieter_Jansz._Saenredam_-_The_Interior_of_St_Bavo%27s_Church,_Haarlem_(the_%27Grote_Kerk%27)_-_Google_Art_Project.jpg","repositoryName":"Rijksmuseum","dimensions":"22.05 × 27.95 in.","image":"https://media.morgangoins.org/art/ct-saenredam-st-bavo.jpg","printMaster":"https://media.morgangoins.org/art/ct-saenredam-st-bavo.jpg","pixels":"5287 × 6528 px","ppi":234,"dominantColor":"#79633c","sourceImage":"https://upload.wikimedia.org/wikipedia/commons/f/f1/Pieter_Jansz._Saenredam_-_The_Interior_of_St_Bavo%27s_Church%2C_Haarlem_%28the_%27Grote_Kerk%27%29_-_Google_Art_Project.jpg?utm_source=commons.wikimedia.org&utm_campaign=imageinfo&utm_content=original","overflow":"r2","view":"https://media.morgangoins.org/art/ct-saenredam-st-bavo.jpg","preview":"https://media.morgangoins.org/art/preview/ct-saenredam-st-bavo.jpg","scanType":"JPEG","thumb":"https://media.morgangoins.org/art/thumbs/ct-saenredam-st-bavo.jpg","tiles":null,"scanMethod":"Museum photograph","tags":["Cathedral","Cologne","Painting","Panel","17th century"]},{"id":"CT–bellotto-pirna","title":"View of Pirna from the Sonnenstein Castle","artist":"Bernardo Bellotto","year":"c. 1755","story":"Pirna beneath Sonnenstein. Bellotto opens the Elbe town with church towers in clear Saxon light.","series":"cathedrals","tone":"Cathedral","medium":"Oil on canvas","creditLine":"Wikimedia Commons","recordUrl":"https://commons.wikimedia.org/wiki/File%3ABellotto%2C_Bernardo_-_View_of_Pirna_from_the_Sonnenstein_Castle.jpg","repositoryName":"Wikimedia Commons","dimensions":"48.00 × 28.00 in.","image":"https://media.morgangoins.org/art/ct-bellotto-pirna.jpg","printMaster":"https://media.morgangoins.org/art/ct-bellotto-pirna.jpg","pixels":"9536 × 5392 px","ppi":193,"dominantColor":"#868361","sourceImage":"https://upload.wikimedia.org/wikipedia/commons/5/56/Bellotto%2C_Bernardo_-_View_of_Pirna_from_the_Sonnenstein_Castle.jpg?utm_source=commons.wikimedia.org&utm_campaign=imageinfo&utm_content=original","overflow":"r2","view":"https://media.morgangoins.org/art/ct-bellotto-pirna.jpg","preview":"https://media.morgangoins.org/art/preview/ct-bellotto-pirna.jpg","scanType":"JPEG","thumb":"https://media.morgangoins.org/art/thumbs/ct-bellotto-pirna.jpg","tiles":null,"scanMethod":"Museum photograph","tags":["Cathedral","Cologne","Painting","Canvas","18th century"]},{"id":"CT–daniell-westminster","title":"Westminster Bridge and Abbey","artist":"William Daniell","year":"c. 1800–1810","story":"The Thames, the bridge, and Westminster Abbey in open weather. London's Gothic crown held in daylight.","series":"cathedrals","tone":"Cathedral","medium":"Oil on canvas","creditLine":"Yale Center for British Art / Google Art Project","recordUrl":"https://commons.wikimedia.org/wiki/File:William_Daniell_-_Westminster_Bridge_and_Abbey_-_Google_Art_Project.jpg","repositoryName":"Yale Center for British Art","dimensions":"36.00 × 24.00 in.","image":"https://media.morgangoins.org/art/ct-daniell-westminster.jpg","printMaster":"https://media.morgangoins.org/art/ct-daniell-westminster.jpg","pixels":"6870 × 4399 px","ppi":183,"dominantColor":"#b89b67","sourceImage":"https://upload.wikimedia.org/wikipedia/commons/0/06/William_Daniell_-_Westminster_Bridge_and_Abbey_-_Google_Art_Project.jpg?utm_source=commons.wikimedia.org&utm_campaign=imageinfo&utm_content=original","overflow":"r2","view":"https://media.morgangoins.org/art/ct-daniell-westminster.jpg","preview":"https://media.morgangoins.org/art/preview/ct-daniell-westminster.jpg","scanType":"JPEG","thumb":"https://media.morgangoins.org/art/thumbs/ct-daniell-westminster.jpg","tiles":null,"scanMethod":"Museum photograph","tags":["Cathedral","Cologne","Painting","Canvas","19th century"],"roomArt":{"file":"ct-daniell-westminster","widths":[640,1280]}},{"id":"CT–enslen-cologne","title":"Ideal View of Cologne Cathedral, 1839","artist":"Johann Carl Enslen","year":"1839","story":"Another dream of the Dom complete. Enslen stacks Gothic height against a clear sky—Cologne as it wanted to look.","series":"cathedrals","tone":"Cathedral","medium":"Oil on canvas","creditLine":"Wikimedia Commons / public domain","recordUrl":"https://commons.wikimedia.org/wiki/File:Enslen_K%C3%B6lner_Dom_Idealansicht_1839.jpg","repositoryName":"Wikimedia Commons","dimensions":"27.00 × 40.00 in.","image":"https://media.morgangoins.org/art/ct-enslen-cologne.jpg","printMaster":"https://media.morgangoins.org/art/ct-enslen-cologne.jpg","pixels":"4851 × 7106 px","ppi":178,"dominantColor":"#938f8a","sourceImage":"https://upload.wikimedia.org/wikipedia/commons/f/f9/Enslen_K%C3%B6lner_Dom_Idealansicht_1839.jpg?utm_source=commons.wikimedia.org&utm_campaign=imageinfo&utm_content=original","overflow":"r2","view":"https://media.morgangoins.org/art/ct-enslen-cologne.jpg","preview":"https://media.morgangoins.org/art/preview/ct-enslen-cologne.jpg","scanType":"JPEG","thumb":"https://media.morgangoins.org/art/thumbs/ct-enslen-cologne.jpg","tiles":null,"scanMethod":"Museum photograph","tags":["Cathedral","Cologne","Painting","Canvas","19th century"]},{"id":"CT–gaertner-notre-dame","title":"Rue Neuve-Notre-Dame in Paris","artist":"Eduard Gaertner","year":"1826","story":"Notre-Dame closes the street like a cliff of stone. Gaertner packs daylight into every façade.","series":"cathedrals","tone":"Cathedral","medium":"Oil on canvas","creditLine":"Wikimedia Commons","recordUrl":"https://commons.wikimedia.org/wiki/File:Eduard_Gaertner_-_Rue_Neuve_Notre_Dame_in_Paris_%281826%29.jpg","repositoryName":"Wikimedia Commons","dimensions":"36.00 × 48.00 in.","image":"https://media.morgangoins.org/art/ct-gaertner-notre-dame.jpg","printMaster":"https://media.morgangoins.org/art/ct-gaertner-notre-dame.jpg","pixels":"5706 × 7614 px","ppi":159,"dominantColor":"#645039","sourceImage":"https://upload.wikimedia.org/wikipedia/commons/d/d2/Eduard_Gaertner_-_Rue_Neuve_Notre_Dame_in_Paris_%281826%29.jpg?utm_source=commons.wikimedia.org&utm_campaign=imageinfo&utm_content=original","overflow":"r2","view":"https://media.morgangoins.org/art/ct-gaertner-notre-dame.jpg","preview":"https://media.morgangoins.org/art/preview/ct-gaertner-notre-dame.jpg","scanType":"JPEG","thumb":"https://media.morgangoins.org/art/thumbs/ct-gaertner-notre-dame.jpg","tiles":{"src":"https://media.morgangoins.org/art/tiles/ct-gaertner-notre-dame","width":5706,"height":7614,"tileSize":512,"maxLevel":4,"pack":"https://media.morgangoins.org/art/tiles/ct-gaertner-notre-dame.zip"},"scanMethod":"Museum photograph","tags":["Cathedral","Cologne","Painting","Canvas","19th century","Deep zoom"],"dominantColors":[{"hex":"#3b291c","share":0.44},{"hex":"#1c1215","share":0.041}]},{"id":"CT–hasenpflug-cologne","title":"Ideal View of Cologne Cathedral","artist":"Carl Hasenpflug","year":"c. 1834–1836","story":"Cologne finished in the mind before the cranes finished the stone. Twin towers, open plaza, daylight ambition.","series":"cathedrals","tone":"Cathedral","medium":"Oil on canvas","creditLine":"Wikimedia Commons / public domain","recordUrl":"https://commons.wikimedia.org/wiki/File:Carl_Hasenpflug,_Idealansicht_des_K%C3%B6lner_Doms.jpg","repositoryName":"Wikimedia Commons","dimensions":"30.00 × 40.00 in.","image":"https://media.morgangoins.org/art/ct-hasenpflug-cologne.jpg","printMaster":"https://media.morgangoins.org/art/ct-hasenpflug-cologne.jpg","pixels":"4977 × 6352 px","ppi":159,"dominantColor":"#9b918e","sourceImage":"https://upload.wikimedia.org/wikipedia/commons/d/d0/Carl_Hasenpflug%2C_Idealansicht_des_K%C3%B6lner_Doms.jpg?utm_source=commons.wikimedia.org&utm_campaign=imageinfo&utm_content=original","overflow":"r2","view":"https://media.morgangoins.org/art/ct-hasenpflug-cologne.jpg","preview":"https://media.morgangoins.org/art/preview/ct-hasenpflug-cologne.jpg","scanType":"JPEG","thumb":"https://media.morgangoins.org/art/thumbs/ct-hasenpflug-cologne.jpg","tiles":null,"scanMethod":"Museum photograph","tags":["Cathedral","Cologne","Painting","Canvas","19th century"]},{"id":"CT–cole-florence","title":"View of Florence","artist":"Thomas Cole","year":"1837","story":"Brunelleschi's dome commands the Arno valley. Cole paints Florence as a cathedral city of light.","series":"cathedrals","tone":"Cathedral","medium":"Oil on canvas","creditLine":"Cleveland Museum of Art / Wikimedia Commons","recordUrl":"https://commons.wikimedia.org/wiki/File:Thomas_Cole_-_View_of_Florence_-_1961.39_-_Cleveland_Museum_of_Art.tif","repositoryName":"Cleveland Museum of Art","dimensions":"48.00 × 30.00 in.","image":"https://media.morgangoins.org/art/ct-cole-florence.jpg","printMaster":"https://media.morgangoins.org/art/masters/ct-cole-florence.tif","pixels":"7570 × 4659 px","ppi":155,"dominantColor":"#7f6d59","sourceImage":"https://upload.wikimedia.org/wikipedia/commons/e/e4/Thomas_Cole_-_View_of_Florence_-_1961.39_-_Cleveland_Museum_of_Art.tif?utm_source=commons.wikimedia.org&utm_campaign=imageinfo&utm_content=original","overflow":"r2","view":"https://media.morgangoins.org/art/ct-cole-florence.jpg","preview":"https://media.morgangoins.org/art/preview/ct-cole-florence.jpg","scanType":"TIFF","thumb":"https://media.morgangoins.org/art/thumbs/ct-cole-florence.jpg","tiles":{"src":"https://media.morgangoins.org/art/tiles/ct-cole-florence","width":7570,"height":4659,"tileSize":512,"maxLevel":4,"pack":"https://media.morgangoins.org/art/tiles/ct-cole-florence.zip"},"scanMethod":"Museum photograph","tags":["Cathedral","Cologne","Painting","Canvas","19th century","Deep zoom"],"dominantColors":[{"hex":"#443117","share":0.337},{"hex":"#a39e98","share":0.317}]},{"id":"CT–roberts-reims","title":"West Façade of Reims Cathedral","artist":"David Roberts","year":"c. 1825–1830","story":"Reims' west front in procession light. Roberts gives the French crown of Gothic its daylight due.","series":"cathedrals","tone":"Cathedral","medium":"Oil on canvas","creditLine":"Wikimedia Commons / public domain","recordUrl":"https://commons.wikimedia.org/wiki/File:ROBERTS_David_La_fa%C3%A7ade_de_la_Cath%C3%A9drale_de_Reims_avec_une_procession_m%C3%A9di%C3%A9vale_et_un_cort%C3%A8ge_au_premier_plan_Huile_sur_toile.jpg","repositoryName":"Wikimedia Commons","dimensions":"30.00 × 40.00 in.","image":"https://media.morgangoins.org/art/ct-roberts-reims.jpg","printMaster":"https://media.morgangoins.org/art/ct-roberts-reims.jpg","pixels":"4530 × 5980 px","ppi":150,"dominantColor":"#8f8771","sourceImage":"https://upload.wikimedia.org/wikipedia/commons/7/73/ROBERTS_David_La_fa%C3%A7ade_de_la_Cath%C3%A9drale_de_Reims_avec_une_procession_m%C3%A9di%C3%A9vale_et_un_cort%C3%A8ge_au_premier_plan_Huile_sur_toile.jpg?utm_source=commons.wikimedia.org&utm_campaign=imageinfo&utm_content=original","overflow":"r2","view":"https://media.morgangoins.org/art/ct-roberts-reims.jpg","preview":"https://media.morgangoins.org/art/preview/ct-roberts-reims.jpg","scanType":"JPEG","thumb":"https://media.morgangoins.org/art/thumbs/ct-roberts-reims.jpg","tiles":null,"scanMethod":"Museum photograph","tags":["Cathedral","Cologne","Painting","Canvas","19th century"]},{"id":"CT–morgenstern-baroque-interior","title":"Interior of a Baroque Church","artist":"Johann Ludwig Ernst Morgenstern","year":"c. 1780","story":"Baroque vaults blaze with painted light. Morgenstern makes interior grandeur theatrical.","series":"cathedrals","tone":"Cathedral","medium":"Oil on canvas","creditLine":"Wikimedia Commons","recordUrl":"https://commons.wikimedia.org/wiki/File%3AInterior_of_a_Baroque_Church_%28SM_609%29.png","repositoryName":"Wikimedia Commons","dimensions":"48.00 × 39.00 in.","image":"https://media.morgangoins.org/art/ct-morgenstern-baroque-interior.jpg","printMaster":"https://media.morgangoins.org/art/masters/ct-morgenstern-baroque-interior.png","pixels":"6940 × 5598 px","ppi":144,"dominantColor":"#594726","sourceImage":"https://upload.wikimedia.org/wikipedia/commons/7/73/Interior_of_a_Baroque_Church_%28SM_609%29.png?utm_source=commons.wikimedia.org&utm_campaign=imageinfo&utm_content=original","overflow":"r2","view":"https://media.morgangoins.org/art/ct-morgenstern-baroque-interior.jpg","preview":"https://media.morgangoins.org/art/preview/ct-morgenstern-baroque-interior.jpg","scanType":"PNG","thumb":"https://media.morgangoins.org/art/thumbs/ct-morgenstern-baroque-interior.jpg","tiles":{"src":"https://media.morgangoins.org/art/tiles/ct-morgenstern-baroque-interior","width":6940,"height":5598,"tileSize":512,"maxLevel":4,"pack":"https://media.morgangoins.org/art/tiles/ct-morgenstern-baroque-interior.zip"},"scanMethod":"Museum photograph","tags":["Cathedral","Cologne","Painting","Canvas","18th century","Deep zoom"],"dominantColors":[{"hex":"#3c2c15","share":0.41},{"hex":"#191209","share":0.04}]},{"id":"CT–cotman-lisieux","title":"St. Peter at Lisieux: West Front","artist":"John Sell Cotman","year":"c. 1818","story":"Lisieux west front in sharp Normandy light. Cotman draws every moulding until the stone sings.","series":"cathedrals","tone":"Cathedral","medium":"Watercolour","creditLine":"Google Art Project / Wikimedia Commons","recordUrl":"https://commons.wikimedia.org/wiki/File%3AJohn_Sell_Cotman_-_St._Peter_at_Lisieux%2C_Normandy-_West_Front_-_Google_Art_Project.jpg","repositoryName":"Google Art Project","dimensions":"30.00 × 48.00 in.","image":"https://media.morgangoins.org/art/ct-cotman-lisieux.jpg","printMaster":"https://media.morgangoins.org/art/ct-cotman-lisieux.jpg","pixels":"4123 × 6523 px","ppi":136,"dominantColor":"#e0cbb4","sourceImage":"https://upload.wikimedia.org/wikipedia/commons/6/6b/John_Sell_Cotman_-_St._Peter_at_Lisieux%2C_Normandy-_West_Front_-_Google_Art_Project.jpg?utm_source=commons.wikimedia.org&utm_campaign=imageinfo&utm_content=original","overflow":"r2","view":"https://media.morgangoins.org/art/ct-cotman-lisieux.jpg","preview":"https://media.morgangoins.org/art/preview/ct-cotman-lisieux.jpg","scanType":"JPEG","thumb":"https://media.morgangoins.org/art/thumbs/ct-cotman-lisieux.jpg","tiles":null,"scanMethod":"Museum photograph","tags":["Cathedral","Cologne","Painting","19th century"]},{"id":"CT–anderson-st-pauls","title":"London Bridge, with St. Paul's Cathedral in the Distance","artist":"William Anderson","year":"c. 1815","story":"St. Paul's crowns the river traffic. Anderson gives London its cathedral skyline at full breath.","series":"cathedrals","tone":"Cathedral","medium":"Oil on canvas","creditLine":"Google Art Project / Wikimedia Commons","recordUrl":"https://commons.wikimedia.org/wiki/File:William_Anderson_-_London_Bridge%2C_with_St._Paul%27s_Cathedral_in_the_distance_-_Google_Art_Project.jpg","repositoryName":"Google Art Project","dimensions":"48.00 × 24.00 in.","image":"https://media.morgangoins.org/art/ct-anderson-st-pauls.jpg","printMaster":"https://media.morgangoins.org/art/ct-anderson-st-pauls.jpg","pixels":"6842 × 3241 px","ppi":135,"dominantColor":"#837b71","sourceImage":"https://upload.wikimedia.org/wikipedia/commons/0/04/William_Anderson_-_London_Bridge%2C_with_St._Paul%27s_Cathedral_in_the_distance_-_Google_Art_Project.jpg?utm_source=commons.wikimedia.org&utm_campaign=imageinfo&utm_content=original","overflow":"r2","view":"https://media.morgangoins.org/art/ct-anderson-st-pauls.jpg","preview":"https://media.morgangoins.org/art/preview/ct-anderson-st-pauls.jpg","scanType":"JPEG","thumb":"https://media.morgangoins.org/art/thumbs/ct-anderson-st-pauls.jpg","tiles":{"src":"https://media.morgangoins.org/art/tiles/ct-anderson-st-pauls","width":6842,"height":3241,"tileSize":512,"maxLevel":4,"pack":"https://media.morgangoins.org/art/tiles/ct-anderson-st-pauls.zip"},"scanMethod":"Museum photograph","tags":["Cathedral","Cologne","Painting","Canvas","19th century","Deep zoom"],"dominantColors":[{"hex":"#a29d9a","share":0.332},{"hex":"#5d5345","share":0.187}]},{"id":"CT–berckheyde-haarlem-markt","title":"Grote Markt in Haarlem with St. Bavo","artist":"Gerrit Adriaensz. Berckheyde","year":"c. 1690","story":"Haarlem's square under St. Bavo. Berckheyde paints the market and cathedral tower in Dutch daylight.","series":"cathedrals","tone":"Cathedral","medium":"Oil on canvas","creditLine":"Wikimedia Commons","recordUrl":"https://commons.wikimedia.org/wiki/File%3ABerckheyde%2C_Gerrit_-_Grote_Markt_in_Haarlem_with_the_Grote_or_St_Bavokerk_-_Frans_Hals_Museum.jpeg","repositoryName":"Wikimedia Commons","dimensions":"48.00 × 36.00 in.","image":"https://media.morgangoins.org/art/ct-berckheyde-haarlem-markt.jpg","printMaster":"https://media.morgangoins.org/art/ct-berckheyde-haarlem-markt.jpg","pixels":"6221 × 4724 px","ppi":130,"dominantColor":"#8e8e8c","sourceImage":"https://upload.wikimedia.org/wikipedia/commons/3/34/Berckheyde%2C_Gerrit_-_Grote_Markt_in_Haarlem_with_the_Grote_or_St_Bavokerk_-_Frans_Hals_Museum.jpeg?utm_source=commons.wikimedia.org&utm_campaign=imageinfo&utm_content=original","overflow":"r2","view":"https://media.morgangoins.org/art/ct-berckheyde-haarlem-markt.jpg","preview":"https://media.morgangoins.org/art/preview/ct-berckheyde-haarlem-markt.jpg","scanType":"JPEG","thumb":"https://media.morgangoins.org/art/thumbs/ct-berckheyde-haarlem-markt.jpg","tiles":null,"scanMethod":"Museum photograph","tags":["Cathedral","Cologne","Painting","Canvas","17th century"]},{"id":"CT–constable-salisbury-garden","title":"Salisbury Cathedral from the Bishop's Garden","artist":"John Constable","year":"1826","story":"Green lawn, moving cloud, and the spire that owns Wiltshire. 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Quaglio-circle gothic under open sky.","series":"cathedrals","tone":"Cathedral","medium":"Oil on canvas","creditLine":"Wikimedia Commons","recordUrl":"https://commons.wikimedia.org/wiki/File%3AQuaglio_%28Umkreis%29_Dom_mit_altem_Friedhof.jpg","repositoryName":"Wikimedia Commons","dimensions":"48.00 × 34.00 in.","image":"https://media.morgangoins.org/art/ct-quaglio-dom-friedhof.jpg","printMaster":"https://media.morgangoins.org/art/ct-quaglio-dom-friedhof.jpg","pixels":"6132 × 4302 px","ppi":127,"dominantColor":"#68563e","sourceImage":"https://upload.wikimedia.org/wikipedia/commons/a/a4/Quaglio_%28Umkreis%29_Dom_mit_altem_Friedhof.jpg?utm_source=commons.wikimedia.org&utm_campaign=imageinfo&utm_content=original","overflow":"r2","view":"https://media.morgangoins.org/art/ct-quaglio-dom-friedhof.jpg","preview":"https://media.morgangoins.org/art/preview/ct-quaglio-dom-friedhof.jpg","scanType":"JPEG","thumb":"https://media.morgangoins.org/art/thumbs/ct-quaglio-dom-friedhof.jpg","tiles":{"src":"https://media.morgangoins.org/art/tiles/ct-quaglio-dom-friedhof","width":6132,"height":4302,"tileSize":512,"maxLevel":4,"pack":"https://media.morgangoins.org/art/tiles/ct-quaglio-dom-friedhof.zip"},"scanMethod":"Museum photograph","tags":["Cathedral","Cologne","Painting","Canvas","19th century","Deep zoom"],"dominantColors":[{"hex":"#42372a","share":0.485}]},{"id":"CT–lebourg-pont-saint-michel","title":"Pont Saint-Michel and Notre-Dame","artist":"Albert Lebourg","year":"c. 1895","story":"Notre-Dame from the Grands-Augustins quay — different angle from held Lebourg façade.","series":"cathedrals","tone":"Cathedral","medium":"Oil on canvas","creditLine":"Musée Carnavalet / Wikimedia Commons","recordUrl":"https://commons.wikimedia.org/wiki/File%3AAlbert_Lebourg_-_Le_pont_Saint-Michel_et_Notre-Dame%2C_vus_du_quai_des_Grands-Augustins_-_P459_-_Mus%C3%A9e_Carnavalet.jpg","repositoryName":"Musée Carnavalet","dimensions":"48.00 × 37.00 in.","image":"https://media.morgangoins.org/art/ct-lebourg-pont-saint-michel.jpg","printMaster":"https://media.morgangoins.org/art/ct-lebourg-pont-saint-michel.jpg","pixels":"5983 × 4614 px","ppi":125,"dominantColor":"#8b8165","sourceImage":"https://upload.wikimedia.org/wikipedia/commons/7/7b/Albert_Lebourg_-_Le_pont_Saint-Michel_et_Notre-Dame%2C_vus_du_quai_des_Grands-Augustins_-_P459_-_Mus%C3%A9e_Carnavalet.jpg?utm_source=commons.wikimedia.org&utm_campaign=imageinfo&utm_content=original","overflow":"r2","view":"https://media.morgangoins.org/art/ct-lebourg-pont-saint-michel.jpg","preview":"https://media.morgangoins.org/art/preview/ct-lebourg-pont-saint-michel.jpg","scanType":"JPEG","thumb":"https://media.morgangoins.org/art/thumbs/ct-lebourg-pont-saint-michel.jpg","tiles":{"src":"https://media.morgangoins.org/art/tiles/ct-lebourg-pont-saint-michel","width":5983,"height":4614,"tileSize":512,"maxLevel":4,"pack":"https://media.morgangoins.org/art/tiles/ct-lebourg-pont-saint-michel.zip"},"scanMethod":"Museum photograph","tags":["Cathedral","Cologne","Painting","Canvas","19th century","Deep zoom"],"dominantColors":[{"hex":"#b7b08f","share":0.35},{"hex":"#211d1a","share":0.019},{"hex":"#90a198","share":0.016},{"hex":"#3d4231","share":0.009},{"hex":"#263230","share":0.003}]},{"id":"CT–schinkel-dom-wasser","title":"Gothic Cathedral by the Water","artist":"Karl Friedrich Schinkel","year":"1813","story":"A dream Gothic mass on the water's edge. Schinkel builds height until the sky has to answer.","series":"cathedrals","tone":"Cathedral","medium":"Oil on canvas","creditLine":"Alte Nationalgalerie / public domain","recordUrl":"https://commons.wikimedia.org/wiki/File:1813_Schinkel_Gotischer_Dom_am_Wasser_anagoria.JPG","repositoryName":"Alte Nationalgalerie","dimensions":"38.00 × 28.00 in.","image":"https://media.morgangoins.org/art/ct-schinkel-dom-wasser.jpg","printMaster":"https://media.morgangoins.org/art/ct-schinkel-dom-wasser.jpg","pixels":"4752 × 3516 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Panini lets the cardinal shrink beneath the vaults.","series":"cathedrals","tone":"Cathedral","medium":"Oil on canvas","creditLine":"Wikimedia Commons","recordUrl":"https://commons.wikimedia.org/wiki/File:Le_cardinal_Melchior_de_Polignac_visitant_Saint-Pierre_de_Rome_-_Giovanni_Paolo_Panini_-_Q18573439.jpg","repositoryName":"Wikimedia Commons","dimensions":"48.00 × 32.00 in.","image":"https://media.morgangoins.org/art/ct-panini-st-peters-visit.jpg","printMaster":"https://media.morgangoins.org/art/ct-panini-st-peters-visit.jpg","pixels":"5476 × 3588 px","ppi":112,"dominantColor":"#685842","sourceImage":"https://upload.wikimedia.org/wikipedia/commons/0/0c/Le_cardinal_Melchior_de_Polignac_visitant_Saint-Pierre_de_Rome_-_Giovanni_Paolo_Panini_-_Q18573439.jpg?utm_source=commons.wikimedia.org&utm_campaign=imageinfo&utm_content=original","overflow":"r2","view":"https://media.morgangoins.org/art/ct-panini-st-peters-visit.jpg","preview":"https://media.morgangoins.org/art/preview/ct-panini-st-peters-visit.jpg","scanType":"JPEG","thumb":"https://media.morgangoins.org/art/thumbs/ct-panini-st-peters-visit.jpg","tiles":null,"scanMethod":"Museum photograph","tags":["Cathedral","Cologne","Painting","Canvas","18th century"]},{"id":"CT–bossuet-seville-cathedral","title":"The Cathedral of Seville","artist":"François Antoine Bossuet","year":"1843","story":"Seville's Gothic mass and the Giralda tower rise over the street in Andalusian light.","series":"cathedrals","tone":"Cathedral","medium":"Oil on canvas","creditLine":"Wikimedia Commons","recordUrl":"https://commons.wikimedia.org/wiki/File:Fran%C3%A7ois_Antoine_Bossuet_-_De_kathedraal_van_Sevilla_-_1751_-_Royal_Museum_of_Fine_Arts_Antwerp.tiff","repositoryName":"Wikimedia Commons","dimensions":"60.00 × 44.60 in.","image":"https://media.morgangoins.org/art/ct-bossuet-seville-cathedral.jpg","printMaster":"https://media.morgangoins.org/art/masters/ct-bossuet-seville-cathedral.tif","pixels":"6690 × 4973 px","ppi":111,"dominantColor":"#7c6f61","sourceImage":"https://upload.wikimedia.org/wikipedia/commons/9/92/Fran%C3%A7ois_Antoine_Bossuet_-_De_kathedraal_van_Sevilla_-_1751_-_Royal_Museum_of_Fine_Arts_Antwerp.tiff?utm_source=commons.wikimedia.org&utm_campaign=imageinfo&utm_content=original?utm_source=commons.wikimedia.org&utm_campaign=imageinfo&utm_content=original","overflow":"r2","view":"https://media.morgangoins.org/art/ct-bossuet-seville-cathedral.jpg","preview":"https://media.morgangoins.org/art/preview/ct-bossuet-seville-cathedral.jpg","scanType":"TIFF","thumb":"https://media.morgangoins.org/art/thumbs/ct-bossuet-seville-cathedral.jpg","tiles":{"src":"https://media.morgangoins.org/art/tiles/ct-bossuet-seville-cathedral","width":6690,"height":4973,"tileSize":512,"maxLevel":4,"pack":"https://media.morgangoins.org/art/tiles/ct-bossuet-seville-cathedral.zip"},"scanMethod":"Museum photograph","tags":["Cathedral","Cologne","Painting","Canvas","19th century","Deep zoom"],"dominantColors":[{"hex":"#aba5a0","share":0.343},{"hex":"#3d2b1a","share":0.22},{"hex":"#828b98","share":0.076}]},{"id":"CT–farington-westminster","title":"Westminster Abbey and Bridge","artist":"Joseph Farington","year":"c. 1790","story":"Abbey and bridge in calm daylight. Farington keeps Westminster clear above the river.","series":"cathedrals","tone":"Cathedral","medium":"Watercolour","creditLine":"Google Art Project / Wikimedia Commons","recordUrl":"https://commons.wikimedia.org/wiki/File%3AJoseph_Farington_-_Westminster_Abbey_and_Bridge_-_Google_Art_Project.jpg","repositoryName":"Google Art Project","dimensions":"36.00 × 48.00 in.","image":"https://media.morgangoins.org/art/ct-farington-westminster.jpg","printMaster":"https://media.morgangoins.org/art/ct-farington-westminster.jpg","pixels":"4068 × 5310 px","ppi":111,"dominantColor":"#807966","sourceImage":"https://upload.wikimedia.org/wikipedia/commons/2/23/Joseph_Farington_-_Westminster_Abbey_and_Bridge_-_Google_Art_Project.jpg?utm_source=commons.wikimedia.org&utm_campaign=imageinfo&utm_content=original","overflow":"r2","view":"https://media.morgangoins.org/art/ct-farington-westminster.jpg","preview":"https://media.morgangoins.org/art/preview/ct-farington-westminster.jpg","scanType":"JPEG","thumb":"https://media.morgangoins.org/art/thumbs/ct-farington-westminster.jpg","tiles":null,"scanMethod":"Museum photograph","tags":["Cathedral","Cologne","Painting","18th century"]},{"id":"CT–vredeman-gothic-interior","title":"Interior of a Gothic Cathedral","artist":"Paul Vredeman de Vries","year":"c. 1612","story":"A luminous Gothic nave in measured perspective. 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Sebron turns cathedral air into luminous space.","series":"cathedrals","tone":"Cathedral","medium":"Oil on canvas","creditLine":"Wikimedia Commons","recordUrl":"https://commons.wikimedia.org/wiki/File%3AHippolyte_Victor_Sebron%2C_Florent_Willems%2C_Louis_Gallait_-_Interior_of_a_Cathedral.jpg","repositoryName":"Wikimedia Commons","dimensions":"36.00 × 48.00 in.","image":"https://media.morgangoins.org/art/ct-sebron-gothic-nave.jpg","printMaster":"https://media.morgangoins.org/art/ct-sebron-gothic-nave.jpg","pixels":"3602 × 4843 px","ppi":100,"dominantColor":"#755926","sourceImage":"https://upload.wikimedia.org/wikipedia/commons/d/d7/Hippolyte_Victor_Sebron%2C_Florent_Willems%2C_Louis_Gallait_-_Interior_of_a_Cathedral.jpg?utm_source=commons.wikimedia.org&utm_campaign=imageinfo&utm_content=original","overflow":"r2","view":"https://media.morgangoins.org/art/ct-sebron-gothic-nave.jpg","preview":"https://media.morgangoins.org/art/preview/ct-sebron-gothic-nave.jpg","scanType":"JPEG","thumb":"https://media.morgangoins.org/art/thumbs/ct-sebron-gothic-nave.jpg","tiles":{"src":"https://media.morgangoins.org/art/tiles/ct-sebron-gothic-nave","width":3602,"height":4843,"tileSize":512,"maxLevel":4,"pack":"https://media.morgangoins.org/art/tiles/ct-sebron-gothic-nave.zip"},"scanMethod":"Museum photograph","tags":["Cathedral","Cologne","Painting","Canvas","19th century","Deep zoom"],"dominantColors":[{"hex":"#624a21","share":0.466}]},{"id":"CT–canella-chartres-street","title":"A Street in Chartres with the Cathedral","artist":"Giuseppe Canella","year":"c. 1830","story":"A Chartres street funnels toward the cathedral. Town energy and Gothic mass in one view.","series":"cathedrals","tone":"Cathedral","medium":"Oil on canvas","creditLine":"Wikimedia Commons","recordUrl":"https://commons.wikimedia.org/wiki/File%3AGiuseppe_Canella_-_A_street_in_Chartres_with_the_Cathedral_in_the_background.jpg","repositoryName":"Wikimedia Commons","dimensions":"36.00 × 48.00 in.","image":"https://media.morgangoins.org/art/ct-canella-chartres-street.jpg","printMaster":"https://media.morgangoins.org/art/ct-canella-chartres-street.jpg","pixels":"3597 × 4752 px","ppi":99,"dominantColor":"#7a7269","sourceImage":"https://upload.wikimedia.org/wikipedia/commons/a/ab/Giuseppe_Canella_-_A_street_in_Chartres_with_the_Cathedral_in_the_background.jpg?utm_source=commons.wikimedia.org&utm_campaign=imageinfo&utm_content=original","overflow":"r2","view":"https://media.morgangoins.org/art/ct-canella-chartres-street.jpg","preview":"https://media.morgangoins.org/art/preview/ct-canella-chartres-street.jpg","scanType":"JPEG","thumb":"https://media.morgangoins.org/art/thumbs/ct-canella-chartres-street.jpg","tiles":{"src":"https://media.morgangoins.org/art/tiles/ct-canella-chartres-street","width":3597,"height":4752,"tileSize":512,"maxLevel":4,"pack":"https://media.morgangoins.org/art/tiles/ct-canella-chartres-street.zip"},"scanMethod":"Museum photograph","tags":["Cathedral","Cologne","Painting","Canvas","19th century","Deep zoom"],"dominantColors":[{"hex":"#695446","share":0.316},{"hex":"#87a7c4","share":0.15},{"hex":"#bdc4cb","share":0.086}]},{"id":"CT–leader-worcester","title":"Worcester Cathedral","artist":"Benjamin Williams Leader","year":"1894","story":"River light on the tower. Leader paints Worcester from the water until the cathedral sits quiet and sure.","series":"cathedrals","tone":"Cathedral","medium":"Oil on canvas","creditLine":"Chazen Museum of Art","recordUrl":"https://commons.wikimedia.org/wiki/File:Worcester_Cathedral_by_Benjamin_Williams_Leader,_1894,_oil_on_canvas_-_Chazen_Museum_of_Art_-_DSC02181.JPG","repositoryName":"Chazen Museum of Art","dimensions":"48.00 × 32.00 in.","image":"https://media.morgangoins.org/art/ct-leader-worcester.jpg","printMaster":"https://media.morgangoins.org/art/ct-leader-worcester.jpg","pixels":"5195 × 3138 px","ppi":98,"dominantColor":"#8f7f66","sourceImage":"https://upload.wikimedia.org/wikipedia/commons/2/2e/Worcester_Cathedral_by_Benjamin_Williams_Leader%2C_1894%2C_oil_on_canvas_-_Chazen_Museum_of_Art_-_DSC02181.JPG?utm_source=commons.wikimedia.org&utm_campaign=imageinfo&utm_content=original","overflow":"r2","view":"https://media.morgangoins.org/art/ct-leader-worcester.jpg","preview":"https://media.morgangoins.org/art/preview/ct-leader-worcester.jpg","scanType":"JPEG","thumb":"https://media.morgangoins.org/art/thumbs/ct-leader-worcester.jpg","tiles":null,"scanMethod":"Museum photograph","tags":["Cathedral","Cologne","Painting","Canvas","19th century"]},{"id":"CT–tomec-stephansdom-mass","title":"Mass at St. Stephen's Cathedral","artist":"Jindřich Tomec","year":"c. 1900","story":"Stephansdom filled with ceremony and light — Vienna's cathedral as living monument.","series":"cathedrals","tone":"Cathedral","medium":"Oil on canvas","creditLine":"Wikimedia Commons","recordUrl":"https://commons.wikimedia.org/wiki/File%3AJind%C5%99ich_Tomec_-_Mass_at_St._Stephen%E2%80%99s_Cathedral.jpg","repositoryName":"Wikimedia Commons","dimensions":"36.00 × 48.00 in.","image":"https://media.morgangoins.org/art/ct-tomec-stephansdom-mass.jpg","printMaster":"https://media.morgangoins.org/art/ct-tomec-stephansdom-mass.jpg","pixels":"3651 × 4672 px","ppi":97,"dominantColor":"#4e4331","sourceImage":"https://upload.wikimedia.org/wikipedia/commons/6/6e/Jind%C5%99ich_Tomec_-_Mass_at_St._Stephen%E2%80%99s_Cathedral.jpg?utm_source=commons.wikimedia.org&utm_campaign=imageinfo&utm_content=original","overflow":"r2","view":"https://media.morgangoins.org/art/ct-tomec-stephansdom-mass.jpg","preview":"https://media.morgangoins.org/art/preview/ct-tomec-stephansdom-mass.jpg","scanType":"JPEG","thumb":"https://media.morgangoins.org/art/thumbs/ct-tomec-stephansdom-mass.jpg","tiles":{"src":"https://media.morgangoins.org/art/tiles/ct-tomec-stephansdom-mass","width":3651,"height":4672,"tileSize":512,"maxLevel":4,"pack":"https://media.morgangoins.org/art/tiles/ct-tomec-stephansdom-mass.zip"},"scanMethod":"Museum photograph","tags":["Cathedral","Cologne","Painting","Canvas","20th century","Deep zoom"],"dominantColors":[{"hex":"#483e2e","share":0.661},{"hex":"#21302f","share":0.057},{"hex":"#28281f","share":0.028}]},{"id":"CT–bellotto-lobkowitzplatz","title":"Lobkowitzplatz, Vienna","artist":"Bernardo Bellotto","year":"c. 1759","story":"Vienna square with church towers — Bellotto beyond Dresden, Karlskirche, and Belvedere holds.","series":"cathedrals","tone":"Cathedral","medium":"Oil on canvas","creditLine":"Wikimedia Commons","recordUrl":"https://commons.wikimedia.org/wiki/File%3ABernardo_Bellotto_-_Der_Lobkowitzplatz_in_WienFXD.jpg","repositoryName":"Wikimedia Commons","dimensions":"48.00 × 36.00 in.","image":"https://media.morgangoins.org/art/ct-bellotto-lobkowitzplatz.jpg","printMaster":"https://media.morgangoins.org/art/ct-bellotto-lobkowitzplatz.jpg","pixels":"4624 × 3462 px","ppi":96,"dominantColor":"#807d7b","sourceImage":"https://upload.wikimedia.org/wikipedia/commons/7/77/Bernardo_Bellotto_-_Der_Lobkowitzplatz_in_WienFXD.jpg?utm_source=commons.wikimedia.org&utm_campaign=imageinfo&utm_content=original","overflow":"r2","view":"https://media.morgangoins.org/art/ct-bellotto-lobkowitzplatz.jpg","preview":"https://media.morgangoins.org/art/preview/ct-bellotto-lobkowitzplatz.jpg","scanType":"JPEG","thumb":"https://media.morgangoins.org/art/thumbs/ct-bellotto-lobkowitzplatz.jpg","tiles":{"src":"https://media.morgangoins.org/art/tiles/ct-bellotto-lobkowitzplatz","width":4624,"height":3462,"tileSize":512,"maxLevel":4,"pack":"https://media.morgangoins.org/art/tiles/ct-bellotto-lobkowitzplatz.zip"},"scanMethod":"Museum photograph","tags":["Cathedral","Cologne","Painting","Canvas","18th century","Deep zoom"],"dominantColors":[{"hex":"#3b302e","share":0.315},{"hex":"#e1e8f0","share":0.193},{"hex":"#b4cedc","share":0.15}]},{"id":"CT–swierzynski-wawel","title":"Aisle of the Wawel Cathedral","artist":"Saturnin Świerzyński","year":"c. 1870","story":"A Wawel aisle in Kraków light. Świerzyński lets the Gothic vaults run deep and bright.","series":"cathedrals","tone":"Cathedral","medium":"Oil on canvas","creditLine":"Wikimedia Commons","recordUrl":"https://commons.wikimedia.org/wiki/File%3A%C5%9Awierzy%C5%84ski_Aisle_of_the_Wawel_Cathedral.jpg","repositoryName":"Wikimedia Commons","dimensions":"36.00 × 48.00 in.","image":"https://media.morgangoins.org/art/ct-swierzynski-wawel.jpg","printMaster":"https://media.morgangoins.org/art/ct-swierzynski-wawel.jpg","pixels":"3389 × 4859 px","ppi":94,"dominantColor":"#625545","sourceImage":"https://upload.wikimedia.org/wikipedia/commons/7/7b/%C5%9Awierzy%C5%84ski_Aisle_of_the_Wawel_Cathedral.jpg?utm_source=commons.wikimedia.org&utm_campaign=imageinfo&utm_content=original","overflow":"r2","view":"https://media.morgangoins.org/art/ct-swierzynski-wawel.jpg","preview":"https://media.morgangoins.org/art/preview/ct-swierzynski-wawel.jpg","scanType":"JPEG","thumb":"https://media.morgangoins.org/art/thumbs/ct-swierzynski-wawel.jpg","tiles":{"src":"https://media.morgangoins.org/art/tiles/ct-swierzynski-wawel","width":3389,"height":4859,"tileSize":512,"maxLevel":4,"pack":"https://media.morgangoins.org/art/tiles/ct-swierzynski-wawel.zip"},"scanMethod":"Museum photograph","tags":["Cathedral","Cologne","Painting","Canvas","19th century","Deep zoom"],"dominantColors":[{"hex":"#231a13","share":0.252},{"hex":"#483b2c","share":0.243}]},{"id":"CT–cox-lincoln","title":"Lincoln Cathedral from Brayford Pool","artist":"David Cox","year":"c. 1850","story":"Lincoln crowns the pool. Cox washes the towers into a wide English sky.","series":"cathedrals","tone":"Cathedral","medium":"Watercolour","creditLine":"Google Art Project / Wikimedia Commons","recordUrl":"https://commons.wikimedia.org/wiki/File%3ADavid_Cox_-_Lincoln_Cathedral_from_Brayford_Pool_-_Google_Art_Project.jpg","repositoryName":"Google Art Project","dimensions":"48.00 × 36.00 in.","image":"https://media.morgangoins.org/art/ct-cox-lincoln.jpg","printMaster":"https://media.morgangoins.org/art/ct-cox-lincoln.jpg","pixels":"4716 × 3360 px","ppi":93,"dominantColor":"#bfa590","sourceImage":"https://upload.wikimedia.org/wikipedia/commons/1/1a/David_Cox_-_Lincoln_Cathedral_from_Brayford_Pool_-_Google_Art_Project.jpg?utm_source=commons.wikimedia.org&utm_campaign=imageinfo&utm_content=original","overflow":"r2","view":"https://media.morgangoins.org/art/ct-cox-lincoln.jpg","preview":"https://media.morgangoins.org/art/preview/ct-cox-lincoln.jpg","scanType":"JPEG","thumb":"https://media.morgangoins.org/art/thumbs/ct-cox-lincoln.jpg","tiles":null,"scanMethod":"Museum photograph","tags":["Cathedral","Cologne","Painting","19th century"]},{"id":"CT–gilbert-chichester","title":"Chichester Cathedral","artist":"Joseph Francis Gilbert","year":"c. 1830","story":"Chichester's spire over the Sussex plain. Gilbert keeps the cathedral bright in open daylight.","series":"cathedrals","tone":"Cathedral","medium":"Oil on canvas","creditLine":"Google Art Project / Wikimedia Commons","recordUrl":"https://commons.wikimedia.org/wiki/File%3AJoseph_Francis_Gilbert_-_Chichester_Cathedral_-_Google_Art_Project.jpg","repositoryName":"Google Art Project","dimensions":"48.00 × 32.00 in.","image":"https://media.morgangoins.org/art/ct-gilbert-chichester.jpg","printMaster":"https://media.morgangoins.org/art/ct-gilbert-chichester.jpg","pixels":"4309 × 2932 px","ppi":90,"dominantColor":"#6b5b47","sourceImage":"https://upload.wikimedia.org/wikipedia/commons/8/84/Joseph_Francis_Gilbert_-_Chichester_Cathedral_-_Google_Art_Project.jpg?utm_source=commons.wikimedia.org&utm_campaign=imageinfo&utm_content=original","overflow":"r2","view":"https://media.morgangoins.org/art/ct-gilbert-chichester.jpg","preview":"https://media.morgangoins.org/art/preview/ct-gilbert-chichester.jpg","scanType":"JPEG","thumb":"https://media.morgangoins.org/art/thumbs/ct-gilbert-chichester.jpg","tiles":null,"scanMethod":"Museum photograph","tags":["Cathedral","Cologne","Painting","Canvas","19th century"]},{"id":"CT–westminster-abbey-interior","title":"The Interior of Westminster Abbey","artist":"Unknown artist","year":"c. 18th century","story":"Nave light fills the Abbey. An unknown hand paints Westminster's interior as luminous stone.","series":"cathedrals","tone":"Cathedral","medium":"Oil on canvas","creditLine":"Google Art Project / Wikimedia Commons","recordUrl":"https://commons.wikimedia.org/wiki/File%3AThe_Interior_of_Westminster_Abbey_-_Google_Art_Project.jpg","repositoryName":"Google Art Project","dimensions":"36.00 × 48.00 in.","image":"https://media.morgangoins.org/art/ct-westminster-abbey-interior.jpg","printMaster":"https://media.morgangoins.org/art/ct-westminster-abbey-interior.jpg","pixels":"3176 × 4035 px","ppi":84,"dominantColor":"#4d443b","sourceImage":"https://upload.wikimedia.org/wikipedia/commons/3/30/The_Interior_of_Westminster_Abbey_-_Google_Art_Project.jpg?utm_source=commons.wikimedia.org&utm_campaign=imageinfo&utm_content=original","overflow":"r2","view":"https://media.morgangoins.org/art/ct-westminster-abbey-interior.jpg","preview":"https://media.morgangoins.org/art/preview/ct-westminster-abbey-interior.jpg","scanType":"JPEG","thumb":"https://media.morgangoins.org/art/thumbs/ct-westminster-abbey-interior.jpg","tiles":null,"scanMethod":"Museum photograph","tags":["Cathedral","Cologne","Painting","Canvas"]},{"id":"CT–kuindzhi-isaac-moon","title":"Saint Isaac's Cathedral by Moonlight","artist":"Arkhip Kuindzhi","year":"c. 1869","story":"Isaac's dome under lunar glow. 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It was not, until the engines agreed.","series":"spaceflight","overflow":"r2","image":"https://media.morgangoins.org/art/ap-saturn-v-launch.jpg","sourceImage":"https://upload.wikimedia.org/wikipedia/commons/1/16/Apollo_11_Launch_-_GPN-2000-000630.jpg","pixels":"2400 × 3000 px","dimensions":"4.00 × 5.00 in.","ppi":600,"tone":"Launch","medium":"4×5 inch film","creditLine":"Apollo 11, 16 July 1969","dominantColor":"#5f6a76","recordUrl":"https://images.nasa.gov/details/6900540","repositoryName":"NASA Image and Video Library","view":"https://media.morgangoins.org/art/ap-saturn-v-launch.jpg","preview":"https://media.morgangoins.org/art/preview/ap-saturn-v-launch.jpg","printMaster":"https://media.morgangoins.org/art/ap-saturn-v-launch.jpg","scanType":"JPEG","thumb":"https://media.morgangoins.org/art/thumbs/ap-saturn-v-launch.jpg","tiles":null,"scanMethod":"Film scan","tags":["Launch","Photograph","NASA","Spaceflight","4×5","Film","20th century","300+ PPI","600+ PPI","Apollo","Apollo 11"],"dominantColors":[{"hex":"#204d82","share":0.389},{"hex":"#7e716a","share":0.129},{"hex":"#efe0a0","share":0.051},{"hex":"#f3f7ef","share":0.036},{"hex":"#46333d","share":0.003}]},{"id":"AP–S67-50531","nasaId":"S67-50531","accessionNumber":"S67-50531","title":"Apollo 4 Saturn V at night","artist":"NASA","year":"1967","story":"Nobody aboard, which is why they dared the first one at night. The pad becomes a sun. If the sun eats the rocket, the Moon program is a crater in Florida. The crew comes later, if the sun behaves.","series":"spaceflight","overflow":"r2","image":"https://media.morgangoins.org/art/ap-saturn-v-night.jpg","sourceImage":"https://upload.wikimedia.org/wikipedia/commons/9/9e/Apollo_4_Saturn_V%2C_s67-50531.jpg","pixels":"2369 × 3000 px","dimensions":"4.00 × 5.00 in.","ppi":592,"tone":"Launch","medium":"4×5 inch film","creditLine":"First Saturn V, Launch Complex 39A, 9 November 1967","dominantColor":"#21201e","recordUrl":"https://images.nasa.gov/details/S67-50531","repositoryName":"NASA Image and Video Library","view":"https://media.morgangoins.org/art/ap-saturn-v-night.jpg","preview":"https://media.morgangoins.org/art/preview/ap-saturn-v-night.jpg","printMaster":"https://media.morgangoins.org/art/ap-saturn-v-night.jpg","scanType":"JPEG","thumb":"https://media.morgangoins.org/art/thumbs/ap-saturn-v-night.jpg","tiles":null,"scanMethod":"Film scan","tags":["Launch","Photograph","NASA","Spaceflight","4×5","Film","20th century","300+ PPI","Apollo","Apollo 4"],"dominantColors":[{"hex":"#06101c","share":0.674},{"hex":"#4b3b25","share":0.142}]},{"id":"ST–sts061-98-050","nasaId":"sts061-98-050","accessionNumber":"STS061-98-050","title":"Hubble first servicing","artist":"NASA / STS-61 crew","year":"1993","story":"They came back because the first look was a blur. A suit at the open telescope, the Earth nowhere useful. If the glasses do not fit, the famous eye stays a beautiful mistake.","series":"spaceflight","overflow":"r2","image":"https://media.morgangoins.org/art/st-hubble-service.jpg","printMaster":"https://media.morgangoins.org/art/masters/st-hubble-service.tif","sourceImage":"https://upload.wikimedia.org/wikipedia/commons/9/90/STS061-98-050_-_Astronauts_Musgrave_and_Hoffman_during_servicing_of_HST_%28Raw_scan%29.tif","pixels":"5700 × 5900 px","dimensions":"2.20 × 2.20 in.","ppi":2591,"tone":"EVA","medium":"70mm Hasselblad film","creditLine":"STS-61, 9 December 1993","dominantColor":"#68686b","recordUrl":"https://images.nasa.gov/details/sts061-98-050","repositoryName":"NASA Image and Video Library","view":"https://media.morgangoins.org/art/st-hubble-service.jpg","preview":"https://media.morgangoins.org/art/preview/st-hubble-service.jpg","scanType":"TIFF","thumb":"https://media.morgangoins.org/art/thumbs/st-hubble-service.jpg","tiles":{"src":"https://media.morgangoins.org/art/tiles/st-hubble-service","width":5228,"height":5277,"tileSize":512,"maxLevel":4,"pack":"https://media.morgangoins.org/art/tiles/st-hubble-service.zip"},"scanMethod":"Film scan","tags":["EVA","Spacewalk","Photograph","NASA","Spaceflight","Hasselblad","Film","20th century","300+ PPI","600+ PPI","1000+ PPI","Deep zoom","Shuttle","STS-61"],"dominantColors":[{"hex":"#aaa4a6","share":0.25},{"hex":"#030405","share":0.197},{"hex":"#716d6c","share":0.102},{"hex":"#2e1213","share":0.064},{"hex":"#549bbd","share":0.046}]},{"id":"ST–juno-jupiter","nasaId":"PIA21974","accessionNumber":"PIA21974","title":"Jupiter's colorful cloud belts","artist":"NASA / JPL-Caltech / SwRI / MSSS / Kevin M. 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Tall as a war. The pillars look like a coast you could walk. You could not. We may be seeing them after they are already gone.","series":"spaceflight","overflow":"r2","image":"https://media.morgangoins.org/art/st-webb-pillars.jpg","sourceImage":"https://upload.wikimedia.org/wikipedia/commons/f/f1/Pillars_of_Creation_%28NIRCam_Image%29.jpg","pixels":"8423 × 14589 px","dimensions":"0.94 × 1.42 in.","ppi":8961,"tone":"Nebula","medium":"Digital, JWST NIRCam","creditLine":"Webb NIRCam, 19 October 2022","dominantColor":"#3d363c","recordUrl":"https://commons.wikimedia.org/wiki/File:Pillars_of_Creation_(NIRCam_Image).jpg","repositoryName":"NASA / ESA / CSA / STScI","scanMethod":"Digital photograph","view":"https://media.morgangoins.org/art/st-webb-pillars.jpg","preview":"https://media.morgangoins.org/art/preview/st-webb-pillars.jpg","printMaster":"https://media.morgangoins.org/art/st-webb-pillars.jpg","scanType":"JPEG","thumb":"https://media.morgangoins.org/art/thumbs/st-webb-pillars.jpg","tiles":{"src":"https://media.morgangoins.org/art/tiles/st-webb-pillars","width":8423,"height":14589,"tileSize":512,"maxLevel":5,"pack":"https://media.morgangoins.org/art/tiles/st-webb-pillars.zip"},"tags":["Nebula","Photograph","NASA","Spaceflight","Digital","21th century","300+ PPI","600+ PPI","1000+ PPI","Deep zoom"],"dominantColors":[{"hex":"#272636","share":0.468},{"hex":"#4f3b2a","share":0.135},{"hex":"#1e1917","share":0.085},{"hex":"#b8b283","share":0.003}]},{"id":"ST–tarantula","accessionNumber":"weic2212","title":"Tarantula Nebula","artist":"NASA / ESA / CSA / STScI","year":"2022","story":"A storm that makes suns, and the storm is tearing its own house down. Young stars burning the room they were born in. The spider does not care that we named it.","series":"spaceflight","overflow":"r2","image":"https://media.morgangoins.org/art/st-tarantula.jpg","sourceImage":"https://upload.wikimedia.org/wikipedia/commons/7/7e/Tarantula_Nebula_by_JWST.jpg","pixels":"14557 × 8418 px","dimensions":"1.42 × 0.94 in.","ppi":8955,"tone":"Nebula","medium":"Digital, JWST NIRCam","creditLine":"30 Doradus, Webb ERO","dominantColor":"#4b3a35","recordUrl":"https://commons.wikimedia.org/wiki/File:Tarantula_Nebula_by_JWST.jpg","repositoryName":"NASA / ESA / CSA / STScI","scanMethod":"Digital photograph","view":"https://media.morgangoins.org/art/st-tarantula.jpg","preview":"https://media.morgangoins.org/art/preview/st-tarantula.jpg","printMaster":"https://media.morgangoins.org/art/st-tarantula.jpg","scanType":"JPEG","thumb":"https://media.morgangoins.org/art/thumbs/st-tarantula.jpg","tiles":{"src":"https://media.morgangoins.org/art/tiles/st-tarantula","width":14557,"height":8418,"tileSize":512,"maxLevel":5,"pack":"https://media.morgangoins.org/art/tiles/st-tarantula.zip"},"tags":["Nebula","Photograph","NASA","Spaceflight","Digital","21th century","300+ PPI","600+ PPI","1000+ PPI","Deep zoom"],"dominantColors":[{"hex":"#25201f","share":0.467},{"hex":"#4b332d","share":0.225},{"hex":"#526075","share":0.003}]},{"id":"ST–stephans-quintet","accessionNumber":"weic2206","title":"Stephan's Quintet","artist":"NASA / ESA / CSA / STScI","year":"2022","story":"Five galaxies crowded together, and one of them is only passing through. Tails of stars ripped loose. The crash is still happening. Too slow for anyone to shout.","series":"spaceflight","overflow":"r2","image":"https://media.morgangoins.org/art/st-stephans-quintet.jpg","sourceImage":"https://upload.wikimedia.org/wikipedia/commons/b/b1/Stephan%27s_Quintet_taken_by_James_Webb_Space_Telescope.jpg","pixels":"12654 × 12132 px","dimensions":"1.42 × 0.94 in.","ppi":8544,"tone":"Galaxy","medium":"Digital, JWST NIRCam","creditLine":"Webb early release, 12 July 2022","dominantColor":"#1b1918","recordUrl":"https://commons.wikimedia.org/wiki/File:Stephan%27s_Quintet_taken_by_James_Webb_Space_Telescope.jpg","repositoryName":"NASA / ESA / CSA / STScI","scanMethod":"Digital photograph","view":"https://media.morgangoins.org/art/st-stephans-quintet.jpg","preview":"https://media.morgangoins.org/art/preview/st-stephans-quintet.jpg","printMaster":"https://media.morgangoins.org/art/st-stephans-quintet.jpg","scanType":"JPEG","thumb":"https://media.morgangoins.org/art/thumbs/st-stephans-quintet.jpg","tiles":{"src":"https://media.morgangoins.org/art/tiles/st-stephans-quintet","width":12654,"height":12132,"tileSize":512,"maxLevel":5,"pack":"https://media.morgangoins.org/art/tiles/st-stephans-quintet.zip"},"tags":["Galaxy","Photograph","NASA","Spaceflight","Digital","21th century","300+ PPI","600+ PPI","1000+ PPI","Deep zoom"],"dominantColors":[{"hex":"#0f0e0d","share":0.823},{"hex":"#50474e","share":0.039},{"hex":"#938483","share":0.017}]},{"id":"ST–whirlpool","accessionNumber":"heic0506a","title":"Whirlpool Galaxy","artist":"NASA / ESA / Hubble","year":"2005","story":"One spiral, and a smaller one yanking its arm. It looks like water. It is stars. The neighbor is not finished stealing.","series":"spaceflight","overflow":"r2","image":"https://media.morgangoins.org/art/st-whirlpool.jpg","sourceImage":"https://upload.wikimedia.org/wikipedia/commons/d/db/Messier51_sRGB.jpg","pixels":"11477 × 7965 px","dimensions":"1.42 × 0.94 in.","ppi":8082,"tone":"Galaxy","medium":"Digital, Hubble ACS","creditLine":"M51, Hubble Heritage","dominantColor":"#3e3c3c","recordUrl":"https://commons.wikimedia.org/wiki/File:Messier51_sRGB.jpg","repositoryName":"NASA / ESA / STScI","scanMethod":"Digital photograph","view":"https://media.morgangoins.org/art/st-whirlpool.jpg","preview":"https://media.morgangoins.org/art/preview/st-whirlpool.jpg","printMaster":"https://media.morgangoins.org/art/st-whirlpool.jpg","scanType":"JPEG","thumb":"https://media.morgangoins.org/art/thumbs/st-whirlpool.jpg","tiles":{"src":"https://media.morgangoins.org/art/tiles/st-whirlpool","width":11477,"height":7965,"tileSize":512,"maxLevel":5,"pack":"https://media.morgangoins.org/art/tiles/st-whirlpool.zip"},"tags":["Galaxy","Photograph","NASA","Spaceflight","Digital","21th century","300+ PPI","600+ PPI","1000+ PPI","Deep zoom"],"dominantColors":[{"hex":"#191d1f","share":0.465},{"hex":"#635b59","share":0.147},{"hex":"#83756e","share":0.09}]},{"id":"AP–S72-35345","nasaId":"S72-35345","accessionNumber":"S72-35345","title":"Apollo 16 Saturn V liftoff beyond the palms","artist":"NASA","year":"1972","story":"The palms are still ordinary. The thing above them has stopped being a building. A white column over a green shore. Somewhere in that brightness, three men have run out of ground.","series":"spaceflight","overflow":"r2","image":"https://media.morgangoins.org/art/apollo16-liftoff-palms.jpg","printMaster":"https://media.morgangoins.org/art/apollo16-liftoff-palms.jpg","sourceImage":"https://images-assets.nasa.gov/image/S72-35345/S72-35345~orig.jpg","pixels":"13607 × 6925 px","dimensions":"1.42 × 0.94 in.","ppi":7367,"tone":"Launch","medium":"Color film","creditLine":"Kennedy Space Center, April 16, 1972","dominantColor":"#778e91","recordUrl":"https://images.nasa.gov/details/S72-35345","repositoryName":"NASA Image and Video Library","view":"https://media.morgangoins.org/art/apollo16-liftoff-palms.jpg","preview":"https://media.morgangoins.org/art/preview/apollo16-liftoff-palms.jpg","scanType":"JPEG","thumb":"https://media.morgangoins.org/art/thumbs/apollo16-liftoff-palms.jpg","tiles":null,"scanMethod":"Film scan","tags":["Launch","Photograph","NASA","Spaceflight","Film","20th century","300+ PPI","600+ PPI","1000+ PPI","Apollo","Apollo 16"]},{"id":"ST–sombrero","accessionNumber":"heic0311a","title":"Sombrero Galaxy","artist":"NASA / ESA / Hubble Heritage","year":"2003","story":"A galaxy on edge, wearing a brim of dust thick enough to hide the stars behind it. Something enormous, seen from the side, keeping a secret in the dark of its own hat.","series":"spaceflight","overflow":"r2","image":"https://media.morgangoins.org/art/st-sombrero.jpg","sourceImage":"https://upload.wikimedia.org/wikipedia/commons/5/5e/M104_ngc4594_sombrero_galaxy_hi-res.jpg","pixels":"11472 × 6429 px","dimensions":"1.42 × 0.94 in.","ppi":6839,"tone":"Galaxy","medium":"Digital, Hubble ACS","creditLine":"M104, Hubble Heritage","dominantColor":"#383736","recordUrl":"https://commons.wikimedia.org/wiki/File:M104_ngc4594_sombrero_galaxy_hi-res.jpg","repositoryName":"NASA / ESA / STScI","scanMethod":"Digital photograph","view":"https://media.morgangoins.org/art/st-sombrero.jpg","preview":"https://media.morgangoins.org/art/preview/st-sombrero.jpg","printMaster":"https://media.morgangoins.org/art/st-sombrero.jpg","scanType":"JPEG","thumb":"https://media.morgangoins.org/art/thumbs/st-sombrero.jpg","tiles":{"src":"https://media.morgangoins.org/art/tiles/st-sombrero","width":11472,"height":6429,"tileSize":512,"maxLevel":5,"pack":"https://media.morgangoins.org/art/tiles/st-sombrero.zip"},"tags":["Galaxy","Photograph","NASA","Spaceflight","Digital","21th century","300+ PPI","600+ PPI","1000+ PPI","Deep zoom"],"dominantColors":[{"hex":"#121311","share":0.55},{"hex":"#58534e","share":0.093},{"hex":"#b2acb6","share":0.046}]},{"id":"ST–orion","accessionNumber":"heic0601a","title":"Orion Nebula","artist":"NASA / ESA / M. 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Some already died.","series":"spaceflight","overflow":"r2","image":"https://media.morgangoins.org/art/st-orion.jpg","sourceImage":"https://upload.wikimedia.org/wikipedia/commons/4/49/Orion_Nebula_-_Hubble_2006_mosaic_edit.jpg","pixels":"9000 × 9000 px","dimensions":"1.42 × 0.94 in.","ppi":6338,"tone":"Nebula","medium":"Digital, Hubble ACS","creditLine":"M42 mosaic, 2006","dominantColor":"#583839","recordUrl":"https://commons.wikimedia.org/wiki/File:Orion_Nebula_-_Hubble_2006_mosaic_edit.jpg","repositoryName":"NASA / ESA / STScI","scanMethod":"Digital photograph","view":"https://media.morgangoins.org/art/st-orion.jpg","preview":"https://media.morgangoins.org/art/preview/st-orion.jpg","printMaster":"https://media.morgangoins.org/art/st-orion.jpg","scanType":"JPEG","thumb":"https://media.morgangoins.org/art/thumbs/st-orion.jpg","tiles":{"src":"https://media.morgangoins.org/art/tiles/st-orion","width":9000,"height":9000,"tileSize":512,"maxLevel":5,"pack":"https://media.morgangoins.org/art/tiles/st-orion.zip"},"tags":["Nebula","Photograph","NASA","Spaceflight","Digital","21th century","300+ PPI","600+ PPI","1000+ PPI","Deep zoom"],"dominantColors":[{"hex":"#6a382d","share":0.212},{"hex":"#13141d","share":0.112},{"hex":"#9c5271","share":0.047},{"hex":"#856794","share":0.006},{"hex":"#242e3d","share":0.033},{"hex":"#243938","share":0.007}]},{"id":"ST–westerlund2","accessionNumber":"heic1509a","title":"Westerlund 2","artist":"NASA / ESA / Hubble Heritage","year":"2015","story":"So young the gas is still wrapped around it. 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Two pads. One morning. Either one can leave, and either one can fail. 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Floodlights turn the tank white, and the shuttle waits like a verdict that has not been read. In the morning the lamps will not matter. 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The solid rockets are a double scream. 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The gaps between the lights are where the people are not. Turn the lamps off and the planet disappears.","series":"spaceflight","overflow":"r2","image":"https://media.morgangoins.org/art/st-black-marble.jpg","sourceImage":"https://upload.wikimedia.org/wikipedia/commons/1/1a/Black_Marble_Americas.jpg","pixels":"8192 × 8192 px","dimensions":"1.42 × 0.94 in.","ppi":5769,"tone":"Earth","medium":"Digital mosaic","creditLine":"Suomi NPP Earth at night, Americas","dominantColor":"#04050e","recordUrl":"https://commons.wikimedia.org/wiki/File:Black_Marble_Americas.jpg","repositoryName":"NASA Earth Observatory","scanMethod":"Digital photograph","view":"https://media.morgangoins.org/art/st-black-marble.jpg","preview":"https://media.morgangoins.org/art/preview/st-black-marble.jpg","printMaster":"https://media.morgangoins.org/art/st-black-marble.jpg","scanType":"JPEG","thumb":"https://media.morgangoins.org/art/thumbs/st-black-marble.jpg","tiles":{"src":"https://media.morgangoins.org/art/tiles/st-black-marble","width":8192,"height":8192,"tileSize":512,"maxLevel":4,"pack":"https://media.morgangoins.org/art/tiles/st-black-marble.zip"},"tags":["Earth","Photograph","NASA","Spaceflight","Digital","21th century","300+ PPI","600+ PPI","1000+ PPI","Deep zoom"],"dominantColors":[{"hex":"#01020a","share":0.892},{"hex":"#0f152c","share":0.082}]},{"id":"AP–s32-s-058","nasaId":"s32-s-058","accessionNumber":"S32-S-058","title":"Columbia STS-32 liftoff plume","artist":"NASA","year":"1990","story":"The pad vanishes at the bottom of its own cloud. The shuttle is a seed on a white tree. A crew is in the seed. 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Christmas is in three days, and they are going somewhere with no night and day.","series":"spaceflight","overflow":"r2","image":"https://media.morgangoins.org/art/ap-apollo-8-liftoff.jpg","printMaster":"https://media.morgangoins.org/art/ap-apollo-8-liftoff.jpg","sourceImage":"https://upload.wikimedia.org/wikipedia/commons/0/0d/Apollo_8_Liftoff_View_%2824246227076%29.jpg","pixels":"5516 × 8104 px","dimensions":"0.94 × 1.42 in.","ppi":5707,"tone":"Launch","medium":"Color film","creditLine":"Kennedy Space Center, 21 December 1968","dominantColor":"#71808d","recordUrl":"https://commons.wikimedia.org/wiki/File:Apollo_8_Liftoff_View_(24246227076).jpg","repositoryName":"Wikimedia Commons","view":"https://media.morgangoins.org/art/ap-apollo-8-liftoff.jpg","preview":"https://media.morgangoins.org/art/preview/ap-apollo-8-liftoff.jpg","scanType":"JPEG","thumb":"https://media.morgangoins.org/art/thumbs/ap-apollo-8-liftoff.jpg","tiles":null,"scanMethod":"Film scan","tags":["Launch","Photograph","NASA","Spaceflight","Film","20th century","300+ PPI","600+ PPI","1000+ PPI","Apollo","Apollo 8"]},{"id":"AP–S68-27364","nasaId":"S68-27364","accessionNumber":"S68-27364","title":"Apollo 6 Saturn V launch from chase plane","artist":"NASA","year":"1968","story":"From the air the rocket is a needle and the smoke is a tree growing back down into the pad. 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One flyby. The heart was there before we had a word for lonely. 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A white rocket on a crawler, Florida sliding under it at the speed of a worry. 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Two men on an orange tank. 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A smaller fire over the marsh, carrying the last crew that station will ever see. 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An old kind of fire under a new kind of ship. The landing is a rumor. 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Tails of stars thrown out like feelers. The crash is not over. New suns are being born in the wreck. 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Helmets. A door the size of a man. 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Lines that run for hundreds of miles. The picture stops at the shell. Something may move under it. We can see the lock. 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A white suit, a gold cord, the Gulf far below. 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